Pictures of dried flowers. Application-pictures of dried flowers (42 photos). How to dry flowers to keep their vibrant color
In the interior design of residential premises, every detail is important, helping to complement its style and bring the necessary zest to the design of the room. It is such a unique interior detail in many styles that paintings made from dried inflorescences, herbs and tree leaves can become. various breeds.
The technique of creating such canvases has been known since ancient times, and enjoys well-deserved popularity in many countries of the world. Initially, paintings from dried plants made by the application method appeared in Japan.
In the Land of the Rising Sun, they have always appreciated the beauty of nature and have been able to enjoy the contemplation of every flower. It was the Japanese who learned how to preserve the beauty of inflorescences for a long time, drying them, and using them as the main material for making paintings - applications.
Art is wrong.
The art of creating pictures from dry plants is called the Japanese word "Obshibana" (or "Oshibana"), which is interesting and unusual for Europeans. Oshibana is one of the branches of the science of creating flower arrangements - floristry.
The art of oshigan appeared in Japan more than six centuries ago, and much later came from there to European countries. In particular, during the Victorian era in Europe, this type of art was extremely widespread.
Luxurious apartments of rich nobles and modest dwellings of the poor were decorated with dried flowers, leaves and herbs. They differed in the degree of artistic performance, as well as in the quality and appearance frames - picture frames for the rich were made of luxurious, expensive materials.
IN modern world the art of the mistaken is experiencing another peak of its popularity. Just think - from the usual crafts provided school curriculum for children of primary and secondary school age, paintings - applications from dried plants began to serve as decoration for living quarters. Many masters have paid attention to the art of the mistaken, and they make wonderful canvases of high artistic value.
Features of creating a picture.
To create a picture of dried flowers, you do not need special skills or the availability of expensive materials. All that is needed is to prepare vegetable raw materials in advance and dry them properly. Suitable flowers, leaves of trees of various species, herbs and plant seeds.
The process of assembling a picture is ridiculously simple: dried plants must be folded into harmonious composition and fix on a cardboard or fabric base with glue. After that, the picture must be thoroughly dried, and then inserted into a finished frame with glass - this way the picture will last longer, and dust will not accumulate on the inflorescences.
The production of paintings from dried flowers using the oshiban technique is available to almost everyone. But, despite the seeming simplicity, the art of mistaken still has some secrets.
The most important thing in the art of creating paintings from dried flowers is the correct preparation of plant materials. Dried flowers and leaves should retain their color, texture and natural shape.
Therefore, drying flowers, herbs, leaves, seeds and poplar fluff is best done under pressure or in a special folder to create a herbarium. The easiest way that many people remember from school is also suitable - to dry plants between the pages of an old book. In this case, the leaves and flowers should acquire a flat shape.
During drying, the plants almost always change their color, become dull and faded. To prevent this from happening, the flowers and leaves must be subjected to heat treatment while still fresh.
At home, they can be gently ironed with a hot iron. Experienced master florists know that young leaves and flowers have the brightest and most stable color. Therefore, it is best to use the freshest and youngest plants.
The variety of flowers also matters - peonies, asters, dahlias, pelargoniums, as well as brightly colored autumn leaves they retain their natural color for a very long time, so they are best used to create compositions.
But lilies, nasturtiums and pansies not able to retain their color for a long time - they quickly fade in the sun and become faded. Plants need to be dried very quickly, because in this way they retain their natural color as much as possible.
For storage of dried plant materials, it is best to use glass or metal containers which are hermetically sealed with lids. It is best to store material for paintings in a dark place, because under the action sunlight plant material can quickly burn out and lose its color. This also applies to Oshigan's paintings, which can also fade over time.
Required tools.
To make paintings from dried plants using the mistaken technique, you will need the following tools:
- PVA glue or any other that leaves no residue after drying;
- brush for applying glue;
- simple pencil;
- tweezers;
- sharp scissors;
- thick cardboard or fabric base for the picture.
On a cardboard or fabric base chosen to create a future picture, you need to draw a plan - a sketch of the future composition. After that, carefully lay out the plant components, carefully selecting them in color and texture.
It is necessary to choose harmonious color combinations and tint options of plant material to make the picture very beautiful and unique. Experienced craftsmen who have been practicing the technique of creating wrong pictures for a long time recommend that you first fold the composition without gluing, changing it as necessary - and only after choosing the best option images to start gluing the composition.
Painting of flowers and leaves "wrong". Master class "Quiet pier"
The target audience: children from 12 years old, teachers, parentsPurpose: painting as a gift
The purpose of the master class: performance of decorative and applied work in the technique of "Planar floristry".
Tasks:
1. Teach:
Learn how to work with natural material (collection and drying of plants)
2. Develop:
Develop the emotional sphere, creative thinking, imagination and fantasy.
Develop fine motor skills.
3. Nurture:
To educate children in independence, creativity, aesthetic feelings.
Any plant material is good in itself, in its original form, so to speak. Nature presented in it all possible forms with symmetry and asymmetry, color and texture and even aromas. Therefore, the desire to bring this perfection into your home and somehow capture it in pictures is understandable.
Floristics is a special kind of creativity. It combines a reverent attitude to all living things, observation, the ability to see the beautiful, unique in every small blade of grass and the artistic perception of the world as a whole. The floral picture has such an arsenal means of expression, with so many techniques and creative techniques that, perhaps, no other type of fine art possesses.
Dried flower arrangements have been a traditional art form in Japan for hundreds of years. It received the name "oshibana" (oshibana) there, which in translation means "pressed flowers". In China and its neighboring countries, Thailand, Korea and others, pressing flowers has been a separate, very revered craft since ancient times.
Plants that are suitable for planar floristry can be harvested within all year round because each season has its own beauty and opportunities. Spring will give dried leaves from wild plants. In summer, you can dry flowers, collect poplar fluff for compositions. Autumn is "red", which means colorful autumn leaves from trees like oak, maple, rowan and bright fruits. In winter, seeds are collected from ash and maple. As the main background, you can use all available means - beautiful paper, drawing paper, interesting pieces of wallpaper, everything will do.
Planar floristry This is not only painstaking work, but also a pleasant, exciting activity. To join this art, it is not necessary to be a professional artist. You just need to understand the texture of natural materials and learn how to combine them organically and thus become a co-author of nature itself.
Using the available tools and materials, you can create your own unique compositions that can decorate the interior or serve as a wonderful gift.
Rules for collecting and drying plants
For creating interesting works it is essential that the natural material be as diverse as possible, different in texture, shape and color.
Collect plants that will later become "paints" from early spring to late autumn, even at the beginning of winter. It is necessary to remember a few rules for collecting and drying plants.
1. Plants can only be harvested in dry weather.
2. Dry the stems and leaves separately from the flowers. Compositae (marigolds, poppies, lilies) dry in parts, separating the petals. Daisies, violets, umbelliferous, cereals, veres dry whole.
3. Lay plants between sheets of paper so that they do not wrinkle. Press from above with a load, the weight of which can be from 4-5 to 10-15 kg. The air temperature is not lower than 22-24 degrees. In autumn and winter, it is necessary to dry the plants near heated batteries. After a day, check the quality of drying plants, if necessary, change the paper - and so on until the plants are completely dry for 2-3 weeks.
4. No need to throw away plants that are lost natural look. The whole palette of pastel shades can come in handy in the work.
Master Class
To make an application from dried plants, you will need the following tools and materials:
- scissors (large and manicure);
- tweezers;
- medium soft pencil;
- material for the base (thick cardboard);
- material for the design of the picture (frame with glass, 2-3 mm thick);
- PVA glue;
- brushes or thin sticks for glue;
- plants dried under pressure (corncob wrappers, leaves of viburnum, poplar, burdock, maple, strawberries, grapes, lilacs, rose petals, twigs of wormwood, birch, birch bark, cattail).
Attention! All plants are interchangeable, so if the listed plants are not at hand, they can be replaced with similar ones in color and texture.
Before starting work, with light strokes, we make a sketch on thick cardboard with minimal elaboration, given the possibility of improvising in the process. We outline the contours of the image, paying special attention to the main lines and forms - the horizon, the foreground.
We depict the sky with birch bark of different shades (from white to beige). To do this, we use the inner and outer parts of the birch bark. We try to combine colors so that they smoothly blend into each other, we achieve the effect of cloud blur. Abundantly coat inside birch bark with glue and glue to the base according to the outlined contours. For more thorough gluing after each stage, it is necessary to put the work under the press for a while.
Overlay the primary layer to represent the surface of the water. Apply inner part bark of slightly rotted birch. It already has the colors and shades necessary for the image of ripples on the water.
We depict the coast in the foreground. We use a set of leaves of green shades (from light to dark) of various plants.
We depict the forest in the background. To get a picturesque background for the next stage of work, we use the leaves of yellow and green flowers. We arrange them horizontally.
We return to a more detailed study of the surface of the water. We create a solar path. This is the lightest part, so we lay it out using the outside of the birch bark white color. For the darkened parts of the water you need birch bark dark shades. The inner layer of rotten bark is perfect for this.
We turn to a more thorough study of the forest in the background. To depict numerous aerial plans and various different types trees, we will use dark poplar leaves; grapes, lilacs, yellow leaves of autumn birches, red maple leaves. For the image of a coniferous forest, different types of wormwood (white and green) are suitable. All leaves are glued vertically.
We start working on the boat, which is located in the background. First, draw it on paper, cut it out and glue it a little to the left of the middle.
For the image of the boat, we use dry autumn cattail leaves. Let's start with the body. The boat is made of wood, so you need to depict it in action. On the outside of the boat lay out boards of gray-brown leaves, placing them horizontally. The boards on the inside of the boat are in the shade, so we use dark brown leaves. Glue light stripes around the entire perimeter of the upper part of the boat to reflect the thickness of the wooden base. In the inside of the boat, it is also necessary to depict three boards for sitting: stern, rowing and bow. To do this, we use beige leaves, placing them perpendicularly.
On the shore, in the foreground, we have three birches from the outer layer of white birch bark. Cut out with scissors desired shape trunk and glue according to the composition.
We are working on the structure of the tree bark. Old trees have many irregularities, various cracks, tubercles, which, of course, should not be left without attention. We spread them with birch bark of different shades. We put darker pieces of birch bark on the shady side of the trunks. We mark dark dashes and spots on the bark of the tree, trying to place them as randomly as possible.
Let's move on to the crown. When depicting trees, we must consider anatomical structure and the shape of the branches characteristic of birches. We form the crown from poplar and birch leaves by picking with hands. On the crown of the tree we add thin hanging branches. At the same time we depict birch trees in the background. We use the same set of leaves. We stick to the same technology.
We are working on the second boat, using the same techniques, materials and techniques for doing work as on the first one. We depict the shadow from the boat on the surface of the water, which is covered with light ripples. To emphasize this, the material used is uneven and broken. For this effect torn birch bark of the inner part of the dark bark was used, and outer part, the lighter one is used for highlights.
Let's move on to a more thorough study of the details of the foreground. At the base of the tree and next to the boat we have a bush. We convey the density of the herbaceous cover with plants of different shapes and textures: white sweet clover, common oregano, dandelion, cereal plants. Curly decorative indoor plants in the background lay out small islands.
Now everything fell into place, and the composition can be considered complete.
The finished picture is inserted into a frame under glass.
Close-up of boats.
Close-up of the crown of birches.
The use of natural materials in crafts and fine arts is gaining more and more popularity every year. Pressed floristry (oshibana) is an ancient Japanese technique for creating pictures from dried flowers. Using various dried plants, decorators create unique paintings and stories, and the whole process takes place without the use of any paints.
In order to create an image from dry flowers, no special tools are required. In fact, all working raw materials can be collected in a field, a nearby park, forest, or grown on a windowsill. Turning on the fantasy, the materials can be found anywhere: drying the peel of a banana or eggplant, opening tea bags with hibiscus or other tea, as well as drying the peel of a tangerine, cucumber, or removing it from an onion.
Leaves, flowers, fluff, peel and other materials are dried different ways including standard press drying, vacuum drying and iron drying. Usually, after treatment, the plants lose their natural color and turn pale or darken by several shades. Materials such as banana turn dark brown after drying, so before starting work, you need to roughly imagine what result the author wants to achieve, and then choose the plants you need colors.
After selecting materials, dried plants are attached to a fabric or paper canvas, forming a unique composition.
As good example we recommend that you follow the process of creating the painting "Lady with a Bouquet" performed using the technique of mistaken.
1. Getting started, in addition to dry materials, you need to prepare the following tools:
Colorless glue (PVA can be used);
Small scissors;
Tweezers;
sharp object;
Glue gun (for gluing large plants);
White cardboard (if necessary - color)
2. The following materials are needed to create a painting:
Dried rose petals or bluebells;
Violets petals;
Any yellow leaves;
Dry banana peel;
Dry corn stigmas (in other words, hair from corn);
Other decoration materials that will be on hand.
3. Before starting work, you should make a small sketch of the future picture on paper;
4. Apply a few rose petals to the finished sketch. We attach the leaves to each other so that the result is a skirt, at least slightly repeating the drawn silhouette;
5. We apply glue to the entire length of the skirt and glue the petals with tweezers;
6. Let's move on to the sleeves. We cut them out of the petals of a lighter shade and glue them in the same way. Previously, sleeves can be drawn on the petals, and then cut out. The result should be like this.
7. We make out the neckline. Cut out a bust of the required shape from the peel of a banana and glue it onto the drawing;
9. Cut out the hands from the yellow sheet and glue them to the lady;
10. We make out the face from small flower particles and use a gun to apply a drop of glue to the head area. We fix a bunch of corn hair, holding it with a sharp object for a while so that the hair sticks well. Immediately decorate with dry violet;
Remember the herbariums that we dried for nature studies lessons in childhood? The art of making great pictures of a mistaken is basically like making such a herbarium. The difference is that images are made from plants and their details using the collage method: landscapes, portraits, still lifes, story paintings, abstract patterns and patterns ...
Oshibana: what is this technique and how did it appear
Oshibana or oshibana is a type of floristry that was born in Japan many centuries ago. From Japanese, this word can be translated as "pressed" or "planar floristry." We can say that this is a painting made using plants that were pre-harvested and dried using a special technology.
The mention of drawing up pictures from dried plants is found in the culture ancient egypt and Judea, China, Korea and Thailand. This skill reached its greatest development in Japan about six centuries ago.
Back then, oshibana was considered the art of the samurai. Since this activity requires both a subtle understanding of nature, and a developed artistic taste, and the ability to concentrate as much as possible and be dexterous, like a jeweler, samurai practiced oshibana to achieve balance, train attention and accuracy, and understand natural harmony.
In the second half of the 19th century, during the Victorian era, this type of needlework became known in Great Britain, then spread to Europe and other continents. Although still today the most widespread in Japan, this art form has become popular all over the world as an exciting hobby in recent decades.
Try to do wrong if ...
If you love nature, you are fascinated by the beauty of plants and flowers, if you like to make herbariums, if you are drawn to the fine arts - try yourself in making mistakes. To master this art, professional artistic skills are not required: nature itself will help you “draw” with leaves, flowers and seeds of plants. The results are impressive even for beginners.
What do you need to get started?
True masters of the mistaken use many professional techniques and secrets to prepare the material and create their works. On special sites and forums, those who are passionate about this art discuss special instrument configurations and best days, clock and weather for cutting plants. For long-term preservation of finished paintings, they are placed in a sealed frame under glass, from which air is pumped out. You can also dive into all these secrets if you are seriously carried away by the wrong one. To get started, you need very little.
First you need to collect the material. It can be whole plants, their leaves, flowers, seeds and seeds, stems, ears, poplar fluff, birch bark and bark of other trees - there are many options. Pros recommend collecting material in dry weather. Then the material must be dried, placed in a special herbarium net or between sheets of paper under pressure. Then it's up to the idea and sketch of the future image - it can be applied with a pencil on paper or fabric. Finally, using tweezers and glue (for example, PVA), the picture is “drawn” with dried plants and their details. Leaves turn into silhouettes of mountains and crowns of trees, fluff becomes clouds and snow, stems allow you to “draw” straight lines, seeds and flower petals create textured surfaces ...
How to make monograms from plants and flowers using the wrong technique: a master class
A simple but spectacular gift or interior decoration for your own home - a picture of leaves and flowers.
You will need:
Plants and flowers for drying;
Sheets of paper and thick books for drying;
Scissors or small secateurs;
PVA glue and brush;
Photo frame and base paper for work.
Work sequence:
1. We collect, cut, dry the plants.
2. We come up with a sketch, lay out the plants.
3. We glue the plants to the paper, dry the work and insert it into the frame.
Ideas for inspiration:
Photo: thehousethatlarsbuilt.com
Increasingly popular today in Russia is again gaining ancient art - wrong, or floral painting, the creation of paintings and panels from flowers and leaves.
Such works can be seen at many exhibitions, clubs, schools are being created, master classes are being held. This is not surprising, because everyone can make a picture of flowers and leaves, even without special skills and talent as an artist. Such work from natural materials will become a corner of nature in your home, bring warmth and charm to it.
The author of the book - a well-known florist, winner of many international competitions, a member of the International Guild of Florists WWPFG and a member of the International Pressed Florist Organization IPFAS - talks about the basic methods of working with a variety of flowers. natural materials (leaves, flowers, bark, birch bark, herbs...), about their preparation, drying, storage, features of use, tools.
The book has step by step master classes, which will clearly and easily demonstrate how to independently make floral paintings for every taste - be it still life, landscape, animalistics.
To start working on a landscape, still life or portrait, you need to learn the basics of drawing. Now a lot of high-quality literature has appeared, from which you can learn about perspective, proportions, color, and also read about the image of light and shadows, about the reflection and refraction of light. Here we briefly review the most basic rules and concrete examples Let's learn how to apply them.
It is better not to cut the leaves with scissors, but to cut them off with your hands. Try not to use parts of the sheet with veins, cut off its edges as well. Then the pieces will look like strokes of paint, and the picture will turn out to be more realistic.
You always need to start a sketch with a compositional placement of the image. It is very important to arrange the entire group of objects so that the sheet of paper is filled evenly. To do this, we mentally combine the entire group of objects into one whole and think over its placement in accordance with the format of the sheet of paper.
Above it is necessary to leave more space than below - then the viewer will get the impression that the objects are firmly on the plane. At the same time, care must be taken that the depicted objects do not rest against the edges of the sheet of paper and, conversely, that there is not much empty space left along the edges.
Light and shadow
When creating a still life, you need to consider which side the light will fall from. That part of the picture that is illuminated is made light, the one in the shade is dark. The transition from the darkest to the lightest should be smooth.
Every object has a shadow. This must not be forgotten. An object without a shadow hangs in space and seems flat.
Depending on the lighting, the shadow is different shapes. Put the vase with the bouquet on the table and try to direct the light on it from different directions.
When illuminated from above, a huge shadow from the bouquet will be visible from below, if you direct the light from the front, the shadow will disappear. Most artists place objects so that the shadow is on the side.
perspective, color
If a table is depicted in a still life, it must be made according to the laws of perspective. Round table visually looks like an ellipse. Rectangular draw in the form of a trapezoid.
Color decision.
Many books have been written in more detail about coloristics (the ratio of colors and their relationship). In short, the overall impression of the picture is very dependent on color solution. Everyone knows that color affects perception and mood.
Warm colors are perceived as active, cheerful and bright. These include red, yellow, orange. Visually, such colors bring objects closer to us, and it is difficult to muffle them with other shades.
Cool colors, on the other hand, make objects move away. In addition, such colors are perceived as passive and sad.
Other books on the subject:
The second birth of a flower.
Original paintings of flowers and leaves.
From flowers, leaves and pieces of bark, it's easy to create a gallery of great paintings!
