Comparative characteristics of Plyushkin, Korobochka and Sobakevich in the poem “Dead Souls. Characteristics of the hero Sobakevich, Dead Souls, Gogol. The image of the character Sobakevich Description of plushkin and sobakevich

The landowner Sobakevich is a very colorful character in Gogol's Dead Souls, outwardly resembling a bear with his clumsiness, massiveness and penchant for gluttony. He prefers half a side of lamb or a whole sturgeon to French delicacies in the form of frog legs or oysters. At the same time, Sobakevich is proud of his Russian heroic stomach, capable of digesting any food, and even in huge quantities. He openly mocks the diets of the French and Germans, and Sobakevich's characterization is already quite evident in this episode. After dinner at Mikhail Semyonovich's, Chichikov, who is buying dead souls from the landowners, feels himself weighed a whole pound.

The guest is struck by the fact that Sobakevich gives only negative characteristics to everyone around the landlords: the governor is almost a highway robber, the prosecutor is a pig, and the neighbor Plyushkin is a dog. This is where the characterization of Sobakevich in "Dead Souls" by Nikolai Gogol appears very clearly.

Sobakevich's conversation with Chichikov

By nature, Sobakevich is so unperturbed that he doesn’t even raise an eyebrow at Chichikov’s amazing offer to sell him dead souls, he immediately begins to bargain, asking for an exorbitant price - 100 rubles per soul. If we recall Chichikov's visit to Korobochka, then Nastasya Petrovna, in a similar situation, even bulged her eyes in amazement.

It is traded on a kulak scale, but the price per capita eventually drops to two and a half rubles. Such behavior is characteristic of Sobakevich's prudent and tight-fisted nature.

Still speaking about the characteristics of Sobakevich, we note that he is not distinguished by a fine mental organization, flexibility of mind and a craving for enlightenment, but he is a strong business executive who owns a large well-equipped village. He himself lives in a good house with a mezzanine and his peasants have strong and durable houses. In the household of Mikhail Semenovich, order and prosperity can be traced everywhere and in everything. You can also read quotes from the poem Dead Souls, which mention the words of the landowner Sobakevich.

Sobakevich loves everything strong, even if unpretentious in appearance. The bulky and durable pieces of furniture surrounding Mikhail Semenovich seem to say that they are also Sobakevichs.

Of the galleries of landowners represented by Nikolai Gogol in Dead Souls, Sobakevich is the most positive and least vulgar literary hero, despite all his earthiness.

The idea of ​​"Dead Souls" arose and took shape in the creative mind of Gogol under the direct influence of Pushkin. Pushkin, after reading the manuscript, said in a voice full of anguish: “God, how sad is our Russia?”. In 1842, the poem was published, despite the censorship ban, Belinsky helped print it. Her appearance turned out to be a great event in the Russian public and. literary life. Herzen noted that Dead Souls"shocked all of Russia." The release of the poem caused an even greater storm than the appearance of the comedy The Inspector General. The serf-owning nobles, who recognized themselves in different faces of Gogol's new work, reactionary criticism viciously condemned the author of the poem, accusing Gogol of not loving Russia, that this is a mockery of Russian society. The progressive camp, and among them Belinsky, believed that Gogol's satire was the satire of an ardent patriot who passionately loved his people. Gogol was firmly convinced of the great future of the country, he understood that great opportunities and forces were hidden in the people to change the face of Russia.

It was a deep love for Russia, a sense of anxiety for the fate of his people that nourished Gogol's merciless satire in the depiction of the noble-serf world. Gogol wrote in his diary: "There is a time when it is impossible to aspire society, even the whole generation, to the beautiful, until you show the full depth of its real abomination." The portrait gallery of "Dead Souls" is opened by Manilov. By nature, Manilov is courteous, kind, polite, but all this has taken on him ridiculous, ugly forms. He has done no good to anyone or anything, because his life is occupied with trifles. The word "manilovism" has become a household word. Good-heartedness is the most distinctive feature of Manilov. Relations between people always seemed to him festive, without clashes and contradictions. He did not know life at all, his reality was replaced by an empty fantasy, and therefore he looks at everything through “rose-colored glasses”. This is the only landowner who gave "dead souls" to Chichikov.

Following Manilov, Gogol shows Korobochka, one of "those mothers, small landowners who cry for crop failures and losses, and meanwhile they collect a little money in bags placed in chests of drawers." Korobochka has no claims to high culture, like Manilov, she does not indulge in empty fantasies, all her thoughts and desires revolve around the economy. For her, as for all landowners, serfs are a commodity. Therefore, Korobochka does not see the difference between the souls of the living and the dead. Korobochka says to Chichikov: "Really, my father, it has never happened to me to sell the dead." Chichikov calls Korobochka club-headed. This apt definition fully illuminates the psychology of a landowner, a typical representative of a noble serf society.

The image of Nozdrev is typical. This is a man of all trades. He is carried away by drunken revelry, violent fun, card game. In the presence of Nozdryov, not a single society could do without scandalous stories, therefore the author ironically calls Nozdryov a "historical man." Chatter, boasting, lies are the most typical features of Nozdryov. According to Chichikov, Nozdrev is a “rubbish man”. He behaves cheekily, impudently and has a "passion to spoil his neighbor." Sobakevich, unlike Manilov and Nozdrev, is associated with economic activity. Sobakevich is a fist and a cunning rascal. Gogol ruthlessly exposes the greedy hoarder, who was "medved" by the system of serfdom. Sobakevich's interests are limited. His purpose in life is material enrichment and tasty food. Furniture in Sobakevich's house: a table, armchairs, chairs resembled the owner himself. Through appearance, through comparison with household items, Gogol achieves great brightness and expressiveness in the description characteristic features hero. The gallery of "dead souls" is completed by Plyushkin, in which pettiness, insignificance and vulgarity reach the limit.

Avarice and a passion for hoarding deprived Plyushkin of human feelings and led him to monstrous deformity. In people, he saw only plunderers of his property. Plyushkin himself abandoned society, did not go anywhere and did not invite anyone to visit him. He kicked out his daughter and cursed his son. His people were dying like flies, many of his serfs were on the run. Plyushkin considered all his peasants parasites and thieves. In the chapter on Plyushkin, the peasant question is touched upon more broadly than in the others. Already the appearance of the village speaks of the heavy and hopeless share of the serfs, of their complete ruin. The deep decline of the entire feudal way of life in Russia was most realistically reflected in the image of Plyushkin.

Gogol's images are deeply typified and are a true generalization of social order. The writer himself deeply and magnificently felt the universal breadth of the types he created. Gogol wrote: “Nozdryov will not leave the world for a long time. He is everywhere between us and, perhaps, only walks in a different caftan. Gogol painted in his poem a gloomy and terrible picture of a serf society that is incapable of leading national life, a society devoid of an elementary idea of ​​\u200b\u200bhonesty and public duty, devastated and spiritually dead. All advanced, thinking Russia, reading the poem, understood its title as Herzen understood: "Dead Souls" is the horror and shame of Russia. Gogol was highly appreciated by his contemporaries.

Chernyshevsky later wrote:

“For a long time there has not been a writer in the world who would be as important for his people as Gogol is for Russia.”

Now there are no landowners, but the character traits that Gogol so vividly captured in the poem "Dead Souls" remained, scattered in countless quantities of vices of a huge part of society. Zhirinovsky resembles Nozdryov, so he can be called a "historical figure." Boxes are found at almost every step, the Plyushkins who have survived from the mind are rare, but still can be found, only Manilov in our cruel century has nothing to do. Dreaming in vain is too much, a great luxury. Gogol is immortal, and this is clear to anyone who has studied Russian literature of the nineteenth century well. The main feature of Gogol's gift was especially clearly manifested in the depiction of the characters of the landowners. The ability to outline the “vulgarity of a vulgar” person with two, three features was later used by Chekhov.

The social soil on which the Chichikovs, Manilovs, Sobakevichs, and Nozdrevs flourished has long been destroyed. And the evil of bureaucracy, hoarding, hypocrisy is still indestructible in humanity. Gogol's smashing satire is also necessary for our time. Perhaps something else is important. The work has a frightening picture of the disunity of people, their alienation from the true meaning of life. The man has lost his human face. It's not funny anymore, it's scary. The "dead souls" of the landlords have finally lost the ability to truly see, hear, and think.

Their mechanical behavior, set once and for all, is subordinated to the sole purpose of acquiring in order to “sleep” in reality. This is spiritual death! Gogol's passionate desire to awaken the sleepy human consciousness is in tune with any era of stagnation. "Dead Souls" is an innovative work that boldly develops the traditions of Russian literature. The writer gave all his thoughts to the people, he saw the revival of Russia in the destruction of the idle caste of parasites, whose name is feudal nobles. This is the greatness of Gogol's literary feat.

Comparative characteristics Plyushkin, Korobochka and Sobakevich and Nozdrev in the poem "Dead Souls"

Other essays on the topic:

1. "The Tale of Captain Kopeikin" (Analysis of a fragment of N. V. Gogol's poem "Dead Souls") The theme of exposing bureaucracy runs through all of Gogol's work: ...
2. Exists famous saying referring to the work of Gogol: "laughter through tears." Gogol's laughter Why is he never carefree? Why even...
3. Work on the poem "Dead Souls" N. V. Gogol began in 1835. The plot was suggested by Pushkin. Gogol's initial desire "...
4. Speaking about the heroes of the poem "Dead Souls", we cannot fail to mention its author. Being a refined nature, faithful to the ideals of good...
5. The theme of living and dead souls is the main one in Gogol's poem "Dead Souls". We can already judge this by the title of the poem, ...
6. The plot of the poem was suggested to Gogol by Pushkin. Gogol's attention was especially attracted by the opportunity to show all of Russia with the help of a "road" plot, with its ...
7. Composition based on the poem by G. Gogol "Dead Souls". How interesting to read human faces! They are like windows of houses, looking into which you can ...
8. The central place in Gogol's poem "Dead Souls" is occupied by five chapters, in which the images of landowners are presented: Manilov, Korobochka, Nozdrev, Sobakevich and ...
9. Each artist strives to create such a pearl that would find a worthy place in his work. The crowning achievement of Nikolai Vasilyevich Gogol is considered ...
10. For some reason we are used to main character works, as a rule, the person is positive. Perhaps the very meaning of the word "hero" obliges. Or maybe the reason...
11. V. G. Belinsky called N. V. Gogol's poem "Dead Souls" "a creation snatched from a hiding place folk life, a creation deep in thought, ...

This article will consider the characteristics of the landowner Sobakevich - one of the main characters in the work of Nikolai Vasilyevich Gogol "Dead Souls". It is interesting that the idea of ​​this poem belonged to the great poet Alexander Sergeevich Pushkin, and Gogol only fulfilled his promise to him - he created the work.

It should be noted that he did not complete his mission, because it was originally planned to create three volumes of the poem (in the likeness of Hell, Purgatory and Paradise), but only the first one reached the reader. There is an assumption that the almost completely finished second volume was destroyed by the writer for unknown reasons, and Gogol did not have time to write the third. In order to get at least a little closer to unraveling the mysteries associated with the fate of these works of the great writer, philologists of our time carefully analyze and study the images of his heroes, creating Sobakevich, Korobochka, Manilov, Nozdrev, Plyushkin and other characters of the work.

History of writing

It must be said that the poem "Dead Souls", like many other works of the author, is an immortal work of literary art. It depicts reality Russia XIX century, which is reflected in today. The activities of ignorant officials, the arbitrariness of the authorities, a difficult fate ordinary people- all this is fully presented by the author on the pages of the work.

In addition to giving a description of different types of people, Nikolai Vasilyevich also describes inanimate objects in detail, which allows the reader to clearly imagine the way of life of the Russian people in the 19th century. The key figures of the poem allow creating a general idea of ​​​​the people of that time: Chichikov, Manilov, Korobochka, Plyushkin, Sobakevich. The characterization of the hero is presented by Gogol in such a way that each of them is endowed with both typical features of the representatives of the era, and individual ones that are different from others.

An interesting discovery of observers and researchers was also that the sequence of appearance of characters in Gogol's poem is not random, everything is subject to a certain order. This fact allows us to get closer to understanding the main idea of ​​the work.

Landowner Sobakevich: characterization of the hero

Dead souls were sold by many landowners. Sobakevich Mikhailo Semenovich deserves special attention among them. The author introduces the reader to this hero long before he appears in the plot. First, Gogol describes his possessions, as if preparing the reader for the perception of such a difficult character as Sobakevich. The characterization of the hero is revealed through a detailed depiction of his village, a large village with strong buildings. The house of Sobakevich himself was a solid structure and seemed to be eternal. Peasant estates were also distinguished by good quality and reliability. But, as Chichikov noticed when he entered the village of Sobakevich, that the owner of the property did not care at all about the aesthetics of the buildings, there was not a single superfluous "useless" decorative element. The appearance of the buildings was not distinguished by sophistication, practicality and functionality - this is the main feature of the buildings owned by the landowner Sobakevich.

The characteristic of the hero is also traced in the description of the surrounding nature. The author tells that there was a pine forest on one side of the village, and a birch forest on the other. He compares the forests with the wings of one bird, only one of them is light and the other is dark. So Gogol makes it clear to the reader that Sobakevich, the owner of the property, is endowed with different personal qualities.

Appearance of the landlord

A brief description of Sobakevich, in particular his appearance, is given by the author in the work itself. Gogol compares the hero with a medium-sized bear, focuses on his bear-colored tailcoat. Even the name, Mikhailo Semenovich, was not chosen by chance, it is involuntarily associated with a brown clubfoot animal. In addition, the landowner Sobakevich moved like a bear, now and then stepping on someone's feet.

The hero has a hot, red-hot complexion, which undoubtedly once again indicates the inviolability and strength of his nature.

Character features

The author's description of the character is excellent. He reveals himself not only in appearance, gait, gestures, but also in the manner of speaking, and in the whole way of his life. From the first words, the hero is credited with an absolute earthliness of views and interests.

Every detail in Sobakevich's room was very similar to its owner. The paintings hanging in his house depicted Greek heroes, according to appearance reminiscent of Mikhail Semenovich. The walnut bureau and the black-spotted thrush were similar to it.

Presented by the writer as a strong, prudent owner Mikhailo Sobakevich. The characterization of the hero makes it clear that his peasants live safely and calmly under his command. And his efficiency and natural power, which began to look like a dull inertia, is a disaster, not the fault of the hero.

Outlook on life

Sobakevich is hostile to everything connected with spirituality. In his understanding, culture and enlightenment are harmful and useless inventions. The main thing for him is taking care of his own well-being and a well-fed existence under any circumstances.

In a conversation with Chichikov, our hero shows himself to be a predator with a stranglehold, ready to seize prey at any cost. It is in this vein that the author characterizes Sobakevich. Dead souls - that's what Chichikov came to him for, and Mikhailo Semyonitch immediately called a spade a spade, without waiting for him to be weary of allusions. He was not ashamed to bargain and even cheat, slipping Elizaveta Sparrow to Chichikov. During the transaction, the main qualities of the landowner Sobakevich appeared. His straightforwardness and ingenuity sometimes bordered on rudeness, cynicism and ignorance.

Mikhailo Semenovich personally wrote a list of all his deceased peasants, in addition, he spoke about each of them - what he did, what character traits he possessed. At first glance, it might seem that Sobakevich is worried about his subordinates, since he knows so much about them. But in fact, he is guided by a simple calculation - he does not care who lives in his possessions, and he knows well who and how can be useful to him.

Sobakevich's relationship with the environment

An attentive reader will undoubtedly notice what Sobakevich is similar to other heroes and what are his differences. The main ones have already been mentioned above. It is also worth paying attention to the fact that Sobakevich does not accept stinginess, as evidenced by his desire for his subordinates to live well, and criticism towards the landowner Plyushkin, who, having eight hundred souls of peasants, eats like a shepherd. Sobakevich himself loved to eat delicious food. He also understands that one can get more from a strong peasant economy, which is probably why he keeps his wards in abundance.

The landowner speaks unflatteringly about officials, calling them "Christ-sellers" and swindlers. But this does not prevent him from doing business with them and making deals. And none at all good word did not come out of his mouth when he talked about people with whom he is friends or communicates.

conclusions

That the author leaves Sobakevich a chance for revival, attributing to him many good qualities, there is no doubt that the soul of the landowner is dead. He, like many others, does not allow changes around and within himself, because only the person who has a soul can change.

Article menu:

When we talk about aristocrats, a fit, slender, handsome young man often appears in our imagination. When it comes to landlords, we are always lost, because in literature we often see two types of such heroes. The former try to imitate aristocrats and are used mainly in comic situations, since imitation is more like a caricature of aristocratic life. The second, masculine in appearance, rude and not much different from the peasants.
In N.V. Gogol's story "Dead Souls" the reader has unique opportunity analyze different types landowners. One of the most colorful of them is Sobakevich.

Sobakevich's appearance

Mikhailo Semenovich Sobakevich is one of the landowners whom Chichikov turns to with a request to sell dead souls. Sobakevich's age varies between 40-50 years.

"Bear! perfect bear! Such a strange rapprochement is needed: he was even called Mikhail Semenovich ”- this is the first impression of this person.

His face is round and rather unattractive in appearance, similar to a pumpkin. "The complexion was red-hot, hot, which happens on a copper penny."

His features were unpleasant, as if hewn with an ax - rough. His face never expressed any emotions - it seemed that he had no soul.

He also had a bear-like gait - every now and then he stepped on someone's feet. What is true, sometimes his movements were not devoid of dexterity.

Mikhailo Semenych has unique health - in his entire life he has never been sick, even a boil has never popped up. Sobakevich himself thinks that this is not good - someday he will have to pay for it.

Sobakevich family

Sobakevich's family is small and limited to his wife Feodulia Ivanovna. She is just as simple and a woman as her husband. She is alien to aristocratic habits. The author does not directly say anything about the relationship between the spouses, but the fact that they address each other as “darling” indicates a family idyll in their personal lives.

The story also contains references to Sobakevich's late father. According to the memoirs of other heroes, he was even larger and stronger than his son and could walk on a bear alone.

The image and characteristics of Sobakevich

Mikhailo Semenovich is an unpleasant person. In communication with him, this impression is partially confirmed. This is a rude person, a sense of tact is alien to him.

The image of Sobakevich is devoid of romanticism and tenderness. He is very straightforward - a typical entrepreneur. He is rarely surprised. He calmly discusses with Chichikov the possibility of buying dead souls as if it were the purchase of bread.

“You needed souls, and I sell you,” he says calmly.

Images of money and thrift are firmly attached to the image of Sobakevich - he strives for material gain. On the contrary, the concepts of cultural development are completely alien to him. He does not seek education. He believes that he is well versed in people and can immediately tell everything about a person.

Sobakevich does not like to stand on ceremony with people and speaks extremely disapprovingly of all his acquaintances. He easily finds flaws in everyone. He calls all the landlords of the county "crooks." He says that among all the noble people of the county, only one is worthy - the prosecutor, but at the same time he adds that if you figure it out well, then that one is a “pig”.

We offer you to get acquainted with N.V. Gogol "Dead Souls"

The measure of a good life for Sobakevich is the quality of meals. He loves to eat well. Russian cuisine is preferable for him, he does not perceive culinary innovations, considers them nonsense and nonsense. Mikhailo Semenovich is sure that only he has food good quality- the cooks of all the other landowners, but what of them, and the governor himself cook food from poor quality products. And some of them are made from something that the chef throws into the trash.

Sobakevich's attitude towards the peasants

Sobakevich loves to take part in all the works, along with the peasants. He takes care of them. Because he believes that employees who are well treated work better and more diligently.

When selling his "dead souls" Sobakevich praises his serfs with might and main. He talks about their talents, sincerely regrets that he lost such good workers.

Sobakevich does not want to be fooled, so he asks Chichikov for a deposit for his peasants. It is difficult to say exactly how many "souls" were sold. It is probably known that there were more than twenty of them (Sobakevich asks for a deposit of 50 rubles, having agreed on a price of 2.5 rubles for each).

Sobakevich's estate and house

Sobakevich does not like sophistication and jewelry. In buildings, he appreciates reliability and durability. The well in his yard was made of thick logs, "from which mills are usually built." The buildings of all the peasants are similar to the manor houses: neatly folded and without a single decoration.

The decoration inside the house is not much different from the outside. In Sobakevich's house, only the most necessary things, and even those, in appearance, resemble a bear - they are just as clumsy.

A thrush lives with Mikhail Semenovich, but in his appearance he also reminds Chichikov of Sobakevich. Of the various options for decorating the interior in Sobakevich's house, there are only paintings - mostly Greek generals - also similar in build to the owner of the house.

It follows from this that the image of Mikhail Semenovich Sobakevich is devoid of any attractiveness - he is a rude and unpleasant person. However, not without positive qualities- He diligently takes care of his peasants, tries to be a good owner.

• Manilov

• box

• Nozdrev

• Sobakevich

• Plushkin

The image of the landowner Manilov

way Manilov A Gogol starts gallery landowners. Before us there are typical characters. In each portrait created by Gogol, according to him, "the features of those who consider themselves better than others" are collected. Already in the description of the village and the estate Manilova shows the essence of his character. The house is located on a very unfavorable place open to all winds. The village makes a miserable impression, since Manilov does not take care of the household at all. Pretentiousness, sweetness are revealed not only in the portrait Manilova , not only in his manners, but also in the fact that he calls the rickety arbor "the temple of solitary reflection", and gives the children the names of the heroes of ancient Greece.

Essence of character Manilova - perfect idleness. Lying on the couch, he indulges in dreams, fruitless and fantastic, which he will never be able to realize, since any work, any activity is alien to him. His peasants live in poverty, disorder reigns in the house, and he dreams of how good it would be to build a stone bridge across the pond or lead an underground passage from the house. He speaks favorably of all, all of whom are most preferable and most amiable. But not because he loves people and has an interest in them, but because he likes to live carefree and comfortable. About Manilov, the author says: "There is a kind of people known by the name: people are so-so, neither this nor that, neither in the city of Bogdan, nor in the village of Selifan, according to the proverb." Thus, the author makes it clear that the image of Manilov is typical for his time. It is from the combination of such qualities that the concept"manilovism".

The image of the landowner Korobochka

Next image in the gallery landowners is box image . If Manilov is a landowner - a spender, whose inactivity leads to complete ruin, then Korobochka can be called a hoarder, since hoarding is her passion. She owns a subsistence economy and trades in everything that is available in it: lard, bird feathers, serfs. Everything in her house is arranged in the old fashioned way. She neatly stores her belongings and saves money by putting them in bags. Everything works for her. In the same chapter, the author pays great attention to Chichikov's behavior, emphasizing that Chichikov with box behaves more simply, more cheekily than with Manilov . This phenomenon is typical of Russian reality, and, proving this, the author gives a lyrical digression about the transformation of Prometheus into a fly. Nature boxes especially brightly revealed in the scene of sale. She is very afraid of selling cheap and even makes an assumption, which she herself is afraid of: “what if the dead ones will come in handy in her household?”, And again the author emphasizes the typicality of this image : "Another and respectable, and even a statesman, but in reality it turns out perfect box "It turns out stupidity boxes , her "club-headedness" is not "such a rare phenomenon. In each of the landowners, the author notices moral deformity. Manilov, in his idleness and laziness, goes to the extreme. As a result of stinginess, Korobochka becomes club-headed.

The image of the landowner Nozdryov

Next in the gallery of landowners -Nozdrev . A carouser, a gambler, a drunkard, a liar and a brawler - this is a brief description Nozdreva . This is a man, as the author writes, who had a passion "to spoil his neighbor, and for no reason at all." Gogol claims that Nozdryov typical of Russian society: " Nozdryov will not be out of the world for a long time. They are everywhere between us ... "Messy nature Nozdreva reflected in the interior of his rooms. Part of the house is being repaired, the furniture is arranged somehow, but the owner does not care much about all this. He shows the guests the stable, in which there are two mares, a stallion and a goat. Then he boasts of a wolf cub, whom he keeps at home for no reason. Lunch at Nozdreva poorly prepared, but alcohol in abundance. An attempt to buy dead souls almost ends tragically for Chichikov. Along with dead souls Nozdrev wants to sell him a stallion or a hurdy-gurdy, and then offers to play checkers on the dead peasants. When Chichikov is outraged by the dishonest game, Nozdryov calls the servants to beat the intractable guest. Only the appearance of the police captain saves Chichikov.

The image of Sobakevich occupies a worthy place in the gallery of landowners. "A fist! Yes, and a beast to boot" - Chichikov gave him such a description. Sobakevich is undoubtedly a hoarding landowner. His village is large and well-organized. All buildings, though clumsy, are strong to the extreme. Sobakevich himself reminded Chichikov of a medium-sized bear - big, clumsy. In the portrait of Sobakevich, there is no description of the eyes at all, which, as you know, are the mirror of the soul. Gogol wants to show that Sobakevich is so rude, uncouth, that in his body "there was no soul at all." Everything in Sobakevich's rooms is as clumsy and large as he is. The table, the armchair, the chairs, and even the thrush in the cage seemed to say: "And I, too, Sobakevich." Chichikov's request Sobakevich takes it calmly, but demands 100 rubles for each dead soul, and even praises his goods like a merchant.

Speaking about the typicality of such an image, Gogol emphasizes that people like Sobakevich , are found everywhere - in the provinces, and in the capital. After all, the point is not in appearance, but in the nature of a person: "no, whoever is a fist cannot straighten into a palm." Rough and uncouth Sobakevich - Lord over his peasants. And if such a person could rise higher and give him more power? How much trouble could he do! After all, he adheres to a strictly defined opinion about people: "A scammer sits on a scammer and drives a scammer."

The image of the landowner Plyushkin

Last in gallery landlords worth Plushkin . Gogol gives him this place, because " Plushkin is the result of the idle life of a person living off the labor of others. "This landowner more than a thousand souls, "and he looks like the last beggar. He has become a parody of a person, and Chichikov does not even immediately understand who is standing in front of him -" a man or a woman. "But there were times when Plushkin was a thrifty, wealthy owner. But his insatiable passion for gain, for acquisitiveness, leads him to complete collapse: he has lost a real idea of ​​​​objects, has ceased to distinguish the necessary from the unnecessary. He destroys grain, flour, cloth, but saves a piece of stale Easter cake, which his daughter brought a long time ago. For example Plushkin the author shows us the disintegration of the human personality. A pile of rubbish in the middle of the room symbolizes life Plushkin . This is what he has become, this is what the spiritual death of a person means. Krestyan Plushkin considers thieves and swindlers, starves them. After all, the mind has long ceased to guide his actions. Even to the only close person, to the daughter, Plushkin no paternal affection.