The love of Tatyana and Evgeny is one of the main plot lines of the novel by Alexander Sergeevich Pushkin "Eugene Onegin". So why does Tatyana, still in love with Onegin, reject his confession at the end of the work? Let's figure it out.

What does Tatiana appear to us at the beginning of the novel? The narrator describes her as a dreamy young girl, aloof and unlike the rest of her surroundings. Her appearance cannot be compared with the appearance of her sister Olga:

"So, her name was Tatyana.

Nor the beauty of his sister,

Nor the freshness of her ruddy

She would not attract eyes.

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

She seemed like a stranger."

The girl did not do things that are characteristic of girls, neither in childhood nor in her youth.

She did not play with dolls, did not embroider, but only "in thought she spent her days of rural leisure." She was different. Too different, too distant.

"But dolls even in these years

Tatyana did not take it in her hands;

About the news of the city, about fashion

Didn't have a conversation with her.

And there were childish pranks

Alien to her: scary stories

In winter in the dark of nights

They captivated her heart more."

So, our Tatyana is a thoughtful, dreamy, timid and quiet nature. In her romanticism, she is very close to Lensky. With her sister, they are like two sides of the same coin - Olga is lively, sociable, sweet and simple-hearted. But, as the narrator notes, her image can be found on the pages of any novel, there is nothing special, interesting, catchy in her. Such quickly "immensely bored." In Tatyana, he sees the ideal of a Russian girl, much ahead of the canons of modern society at that time. It is noteworthy that Tatyana is one of the most beloved characters of Pushkin himself.

Its unusualness is noticed by Onegin in a conversation with Lensky after his first visit to the Larins' house. He is sincerely surprised that Vladimir preferred Olga to Tatyana:

"Are you in love with a smaller one?"

And what? - "I would choose another,

When I was like you, a poet.

Olga has no life in features.

Tatyana's love should also be special. By nature, she was then still so naive, so romantic and young, that she easily fell in love with the sweet tales of the novels she read:

"She liked novels early;

They replaced everything for her;

She fell in love with deceptions

Both Richardson and Rousseau."

And the girl believes that everything will also be beautiful and romantic for her, as if in one of her books. She is already seventeen, she is already ripe for her great love!

"For a long time her imagination,

Burning with grief and longing,

Alkalo fatal food;

Long hearted languor

It pressed her young breast;

The soul was waiting... for someone."

Just at this time, Tatyana meets Onegin. She saw in him the very ideal from her novels that she was looking for. The young man was not like her other boring acquaintances and neighbors, with whom the girl had nothing in common. She plunges into novels with even greater rapture, because she has no one with whom to discuss all the experiences that occur in her heart. With their help, she complements the image of Onegin with her fantasies:

"Lover Yulia Wolmar,

Malek-Adel and de Linard,

And Werther, the rebellious martyr,

And incomparable Grandison,

which brings us to sleep,

Everything for a gentle dreamer

Clothed in a single image,

They merged in one Onegin.

All this leads to the fact that Tatyana is simply forced to confess to Onegin - she cannot do otherwise. But that's where the romance ends. Eugene rejects her; despite his politeness and courtesy, despite his honesty, his words severely hurt her. But even after the refusal, Tatyana does not stop loving Onegin, because this is her nature, this is what she is all about.

"No, more than a joyless passion

Poor Tatyana is on fire;

Her bed sleep runs;

Health, life color and sweetness,

Smile, virgin peace,

All that is empty sound is gone,

And dear Tanya's youth fades ... "

It's amazing how strong love can be. Even after the refusal, even after the tragic duel with Lensky, even after Onegin left for St. Petersburg, Tatyana does not give up, she is still trying to understand her beloved. As she grows older, the realization slowly comes to her that she thought up the image of her lover herself, therefore she does not know a lot about him.

"... Indulged in reading

Tatyana with a greedy soul:

And another world opened up to her."

However, it is after visiting the estate, after reading his books, that Tatyana realizes that Onegin is not the person to whom she once wrote a letter, not the hero she invented.

"What is he? Really an imitation,

An insignificant ghost, or else

Muscovite in Harold's raincoat,

Alien whims interpretation,

Full lexicon of fashionable words?..

Isn't he a parody?

Has the riddle been solved?

Has the word been found?

Years pass, Tatyana marries, becomes a princess. Suddenly Onegin returns. At first, he does not even recognize her, then how incredibly she has changed simply does not fit in his head:

"She was sitting at the table

With the brilliant Nina Voronskaya,

This Cleopatra of the Neva,

And yes, you would agree

That Nina marble beauty

I couldn't outshine my neighbor

Even if it was stunning."

The changes are not only external, no, Tatyana has matured. This is no longer the girl who could not restrain her emotions, sitting opposite her lover:

"She has darkening eyes

Does not raise: bursts violently

There is a passionate heat in her; she is stuffy, bad;

She greets two friends

Can't hear tears from eyes

They want to drip; already ready

The poor thing is going to faint."

And yet, even in this indifferent princess one can see the former Tatyana. The way she hurts from meeting with Eugene, how she becomes ill when talking with him - all this shows the drama of the situation without further ado. But the current Tatyana, even in such a situation, is ready to control herself.

"Hey-she! not that she shuddered

Ile suddenly turned pale, red...

Her eyebrow did not move;

She didn't even purse her lips.

It was because of these changes that she refused Onegin. The young naive girl turned into a calm, wise life experience, faithful wife to her husband. It is unthinkable for her to betray her husband, even for the sake of the man she still loves and never stopped loving. Now it's not about feelings at all, it's about honor and dignity, devotion to family and oath. Therefore, even after Onegin's confession, when he seems to repeat her desperate act from the beginning of the novel, Tatyana finds the strength to refuse him.

"I love you (why lie?),

With every act of his, Eugene wants to earn attention, Tatyana's gentle look, but she is indifferent and cold. She hid all her feelings far, far away, she "cloaked her heart with chains", as Onegin once did. Tanya's current life is a masquerade. There is a mask on her face, it looks quite natural, but not for Eugene. He saw her in a way that no one is now depicting people around. He knows the tender and romantic, naive and in love, sensitive and vulnerable Tanya. The hero hopes that all this could not disappear without a trace, that under this mask lies the true face of the girl - the village Tatiana, who grew up on French novels and dreams of great and pure love. For Eugene, all this was very important, but gradually the hope melted away, and the hero decided to leave. To the last explanation with Tatyana, he “goes like a dead man.” His passion is similar to Tanya's suffering in chapter 4. When the young man came to her house, he saw the real Tanya without a mask and pretense:

The moral principle was especially clearly manifested in the image of Tatyana Larina. I would also add to her distinctive feature an amazing subtlety and sensitivity of nature, which you will not find among the girls of the capital. So, Onegin, having described another circle of life, full of disappointments and empty hobbies, meets Tatyana again and rushes to her with all his heart, understanding and finally appreciating her to the fullest. But, unfortunately, in response he heard:

The novel "Eugene Onegin" was created by Pushkin for 8 years (from 1823 to 1831). If the first chapters of the novel were written by a young poet, almost a youth, then the final chapters were already written by a person with considerable life experience. This "growing up" of the poet is reflected in the novel. Main character- Eugene Onegin - just like the poet himself, he grows up, grows wiser, gains life experience, loses friends, is mistaken, suffers. How are the stages of the hero's life shown in the work? With the title of the novel, Pushkin emphasizes the central position of Onegin among other heroes of the work. Onegin, a secular young man, a metropolitan aristocrat, received a typical upbringing for that time under the guidance of a French tutor in the spirit of literature, cut off from national and popular soil. He leads the lifestyle of "golden youth": balls, walks along Nevsky Prospekt, visits to theaters. Although Onegin studied "something and somehow", he still has high level culture, differing in this respect from the majority of noble society. Pushkin's hero is a product of this society, but at the same time he is alien to it. The nobility of the soul, "a sharp chilled mind" set him apart among the aristocratic youth, gradually lead to disappointment in the life and interests of secular society, to dissatisfaction with the political and social situation: "No, early his feelings cooled down in him. He was tired of the noise of light ... "Emptiness life torments Onegin, he is seized by spleen, boredom, and he leaves secular society, trying to engage in socially useful activities. The lordly upbringing, the lack of the habit of work ("hard work was sickening to him") played a role, and Onegin does not complete any of his undertakings. He lives "without purpose, without labor". In the village, Onegin behaves humanely towards the peasants, but he does not think about their fate, he is more tormented by his own moods, a sense of the emptiness of life. Having broken with secular society and being cut off from the life of the people, he loses contact with people. He rejects the love of Tatyana Larina, ...

Unlike these characters, Andrei Gavrilovich Dubrovsky is a liberal landowner. Idleness and debauchery are not his way of life. Having seventy peasants, Dubrovsky treats them differently than the tyrant neighbor. Therefore, the peasants respond to him with respect and love, therefore they are ready to die so as not to fall into bondage to Troekurov. The abolition of serfdom probably would not have frightened Andrei Gavrilovich, and he would hardly have interfered with it. Neither in the first years of his life on the estate, nor later did Andrei Gavrilovich agree to take advantage of the gifts that Troekurov offered him. Moreover, unlike other landowners, Dubrovsky was never afraid to express his thoughts in the presence of an arrogant neighbor. This speaks of the pride of this man, and real pride, not Troekurovsky.

In that simple people Pushkin is cute, we are convinced more than once. Take Yegorovna, the nanny of Vladimir Dubrovsky, with what love the author describes her and how he admires her! She never studied any sciences, but she perfectly feels the richness of the Russian language, the old peasant woman seems to us, though naive, but in her own way a smart woman. Here, realizing how her master’s quarrel with Troekurov could end, Yegorovna, having taken all her “diplomatic” skill, asks Vladimir to come: with her maternal and feminine instinct, the peasant woman guessed what would now bring her master the greatest joy and peace. She was also worried about the soul of young Vladimir - she did not want her pupil to reproach himself for selfishness towards his father all his life. Egorovna has a feeling of gratitude. All his life he served one master with devotion, raised someone else's son as his own, the old peasant woman does not leave her benefactors in difficult times for them. Brought up in the spirit of love for neighbors, Egorovna calls not to harm anyone, no matter how bad people are. She is a true Christian.

On the pages of "Dubrovsky" we get acquainted with many people of the nobility. Some of them are depicted completely and comprehensively (Troekurov, Dubrovskys), others are fragmentary (Prince Vereisky), and others are mentioned in passing (Anna Savishna and other guests of Troekurov). It must be said that the landowners differed from each other only in the number of peasants they had, and in their attitude towards them. The plot of the story revolves around the conflict between two landowners - Kiruet Petrovich Troekurov and Andrey Gavrilov Dubrovsky, but other nobles are involuntarily involved in it. All, in fact, divided into two camps. In one - Andrei Gavrilovich Dubrovsky and his son Vladimir, the other is much more numerous - Troekurov and all the other landowners, regulars in his house.

Onegin and Tatiana change roles. When he was indifferent to the girl, now he is looking for her attention. When she, in self-forgetfulness of feelings, wrote Onegin a letter with a declaration of love, now he writes to her. And Tatyana is cold and imperturbable. She can talk to Onegin, she can not notice him. Tatyana does not distinguish him from other guests who visit her house or those houses where she visits. In those stanzas where Pushkin talks about Tatyana's new look, he constantly reminds of what she was like, compares, contrasts the secular lady with the former naive young lady, obsessed with reading sentimental love stories. But at the end of the work it becomes clear that the opposition of Tatyana to the current and the former is purely external, conditional. Deep down, she regrets the simple rural life and loves Onegin no matter what. “But I am given to another and I will be faithful to him for a century,” she replies to Onegin’s love confession. Tatyana remains faithful not only to her husband, but also to herself.

Tatyana's attitude towards Onegin suddenly flared up quite differently. The heroine not only takes her feelings for Onegin seriously, she sincerely believes that this is fate, that this is for life. It is in this attitude to love that the explanation is rooted, the girl decided to write a letter herself young man and confess his feelings, although in those days it was considered a bold offense. And even when Onegin rejects Tatyana's love, the girl continues to love him. When she becomes a princess, a secular lady, she still does not forget her first and only love.

But if in the depths of her soul Tatyana remains the same, then her manners change so much that Onegin barely recognizes from the princess that rural girl who once confessed her love to him. Onegin told her: "... learn to rule yourself." Well, she learned this science well! Previously, everyone could have noticed Tatyana's confusion (if only the attention of the guests at her birthday party had not been diverted by a fat pie). Now no one will read on the girl's face what is happening in his soul. Perhaps the meeting with Onegin at a social event stirred up in Tatyana memories of her former life and naive girlish dreams, but she did not betray her feelings in any way:

Onegin is a person, satiated with pleasures, equally yawning "among the fashionable and ancient halls." He is still able to appreciate the sincerity and strength of Tatyana's feelings, but he does not want and cannot share them, since his soul has lost its immediacy and faith in happiness.

Pushkin's work is well known to Western audiences thanks to Tchaikovsky's opera or ballet in three acts by choreographer John Cranko. Young Onegin rejects Tatyana Larina's sincere love, which she confesses in a famous letter. Onegin was introduced to her family by his best friend Vladimir Lensky, an admirer of her sister, Olga. After Onegin began flirting recklessly with Olga, Lensky challenged him to a duel. To Onegin's infinite regret, Lensky was mortally wounded. Despite her grief, Olga subsequently marries, and Tatyana meets an aristocrat in Moscow and becomes his wife. When Onegin and Tatyana meet again, he confesses his love for her. But Tatiana rejects him, although she also confesses that she still loves him. In Russian literature or drama, a work rarely has a happy ending, if such a thing is possible in principle.

Tuminas omitted many of Pushkin's authorial digressions, but portrayed women very vividly, paying special attention to them. Evgenia Kregzhde, in the role of Tatyana, is transforming before our eyes from a naive village girl into a restrained and imperturbable lady from high society. Olga is her peculiar antipode, but the tragedy also affected her, turning her into a faithful wife, absorbed in a society in which a woman has no choice but to "successfully" marry. Tuminas managed to create a bright, memorable stage picture: Tatyana and her friends take off on a swing in a silvery area above the heads of men.

Why Tatyana rejects Onegin's love at the end of the novel
Tatyana Larina is Pushkin's favorite heroine, the most famous female image of Russian literature.
For the author, this heroine is very dear, he does not try to hide his love for Tatyana from the reader: “forgive me ... I love Tatyana my dear so much ...”
Tatyana, according to the author, represents the ideal of the "Russian soul". They are easy to communicate, open, trusting, like a child, which is the girl at the beginning of the novel. For the heroine, everything is new, fresh. Tatyana and Vladimir Lensky, a friend of the Larin family, are close in spirit - they are both romantics. The heroine is pensive, dreamy and quiet, compared to her sister Olga - lively and sociable since childhood.
The Larin family represents a certain category of society - the patriarchal nobility. They honored the customs of their ancestors, observed religious fasts.
The heroine lived measuredly and smoothly until Evgeny Onegin moved to the village. He became her first and last love.
Onegin is flattered by Tatyana's love, but he is not mentally ready to respond to her love. He is not capable of a serious all-consuming feeling, because love is a hard work of the soul. Rejecting Tatyana's love, Onegin, without knowing it, becomes unhappy, as he has lost the opportunity to be reborn.
The turning point is the duel between Onegin and Lensky. This duel is an absurdity and a tragic accident. Lensky dies in a duel at the hands of a friend, and Onegin, realizing what he has done, is horrified and leaves the village.
Tatyana Larina is fighting with herself. On the one hand, she still loves Onegin, and on the other hand, she understands that she is in love with the murderer Lensky. Tatyana realizes that Onegin is not the hero that she painted for herself in her imagination and in her dreams, but a man incapable of compassion, bringing pain and tears to others.
Tatyana is very worried about everything that happened. Her health condition is getting worse. The worried mother takes Tatyana to Moscow, where she marries her. Returning from a trip, Onegin accidentally meets Tatyana at a ball and, not yet knowing that it is her, is "smitten" by her grandeur and beauty.
“How Tatyana has changed!” - exclaims the author. In essence, her character, her views, her attitude to life, Tatyana remained the same as before. But she experienced a lot, thought a lot and understood a lot.
The scene of her last meeting with Onegin fully reveals this. Before the reader is no longer that naive girl, but a grown-up woman, deeply feeling and sincere, true to those moral principles.
She finds the strength to reject Onegin's love, not because she no longer loves him, but because she does not want to change herself, her views on life, her rules of ethics, her high understanding of the word "fidelity". Everything in Tatyana's sad monologue is simple, sincere and high. Her words to Onegin:
... You must, I ask you to leave me; I know: in your heart there is Both pride and direct honor.
The word "honor" is heard for the last time in the text of the novel, and now in its first and most direct and lofty meaning.

Sorry! And if so by fate

We are destined to forgive forever!

After reading Pushkin's novel "Eugene Onegin", I can answer the question: why did Tatyana Larina reject Eugene Onegin at the end of the eighth chapter?

Tatyana, according to the author, represents the ideal of the "Russian soul". They are easy to communicate, open, trusting, like a child, which is the girl at the beginning of the novel. For the heroine, everything is new, fresh. Tatyana and Vladimir Lensky, a friend of the Larin family, are close in spirit - they are both romantics. The heroine is thoughtful, dreamy and quiet, in comparison with her sister Olga the brisk and sociable since childhood.

The Larin family represents a certain category of society - the patriarchal nobility. They honored the customs of their ancestors, observed religious fasts. In general, Tatyana was the ideal of a Russian girl early XIX century.

The heroine lived measuredly and smoothly until Evgeny Onegin moved to the village. He became her first and last love in life. Larina blushed, then turned pale with him; she could not speak. Tormented by feelings, the girl decided to take a very responsible step - to write him a letter with a declaration of love. The message was anonymous, but Onegin guessed who the author was. a young inexperienced girl and she will feel bad in marriage to such a windy person.

After a duel with Lensky, Onegin left the village. For six long years, Tatyana and Evgeny did not see each other.

During this time, Olga was married to a hussar, and Tatyana was introduced into the world9. There she met her future husband. It turned out to be a friend of Eugene, who would later introduce the changed Tatyana to Onegin. From an ordinary village girl, the heroine turned into a real lady of that time. Now Onegin suffers from love, and Tatyana, it would seem, does not notice this, she is outwardly calm. He decided to write her a letter to open his heart. His message remains unanswered, after which Eugene himself decides to go to Tatyana. Onegin wants Larina to leave husband and married him, but the girl, somewhat offended by him in the past, says a phrase that becomes the meaning of the whole dialogue:

... I love you (why lie?)

But I am given to another:

I will be faithful to him forever.

Now Onegin is leaving with a wound in his heart.

There were many such broken destinies, like those of Evgeny and Tatyana. The unwillingness to leave freedom in the past often threatens loneliness in the future. Everything could be changed by doing right choice. It was so easy to decide, wasn't it?

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why Tatyana refused Onegin love essay

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With all the diversity of the problems of the novel "Eugene Onegin", Pushkin was occupied with the question of the ideal hero, who was persistently sought by Russian literature at the beginning of the century. The writer's thoughts were embodied in the main characters of the novel Eugene Onegin and Tatyana Larina. Indeed, from the first pages of the work, it is they who stand out against the backdrop of the vain and brilliant life of secular society and the slow, stagnant existence of rural landowners.

Both Onegin and Tatyana are keenly aware of their alienation from the environment in which they are forced to live. This is expressed in the fact that Tatyana "in her own family seemed like a strange girl," and in Onegin's blues. So, Evgeny and Tatyana have features that bring them together. Dissatisfaction with the surrounding life plunges them into beautiful world books. In sentimental love stories, Tatyana sees a different, bright, interesting life, which is so sharply different from the wretched world of nails, trifles and cattle.

She liked novels early on;

They replaced everything for her;

She fell in love with deceptions

And Richardson and Rousseau.

Pushkin gives detailed description Onegin library, in which there is no place for sentimental novels. From fiction Eugene is attracted by Byron's romantic poems, since this literature became very popular among the metropolitan intelligentsia and, in addition, the heroes of Byron's poems gloomy, lonely, disappointed people were close and understandable to Onegin, for he often experienced similar feelings and moods. Eugene's reading circle the works of Smith, Gibbon, Herder, Rousseau speaks of his interest in serious economic, historical and philosophical problems.

Both Onegin and Tatyana have a penetrating mind and powers of observation. The naive, inexperienced girl immediately saw the dissimilarity of Yevgeny to the provincial landowners she knew, felt the originality of his nature. From the first acquaintance with Tatyana, Onegin did not allow himself vulgar flirtations with her, as with Olga, because he respected her feelings, appreciated her sincerity and purity.

In general, all relations between Onegin and Tatyana are imbued with honesty and truthfulness. Tatyana writes a letter to Eugene, in which she confesses her love to an unfamiliar person, not only because she cannot restrain her feelings, but also because she believes in his decency and nobility. Eugene answers her with "a confession also without art." The heroes are honest with each other during the last meeting. Tatyana is sincere not only in the sphere of personal relationships. Having become an "indifferent princess", a "legislator of the halls", in her soul she remains the former Tatyana, but the conventions of St. Petersburg society force her to hide her true feelings, in which she frankly admits to Onegin:

Now I'm happy to give

All this rags of masquerade

All this brilliance, and noise, and fumes

For a shelf of books, for a wild garden.

In these words of Tatyana, the independence and independence of her judgments are manifested. Sharply negative assessment high society also makes her related to Onegin. Eugene does not hide his attitude either to the St. Petersburg elite or to the village landowners. In conversations with Lensky, he absolutely freely subjects everything to court, even avoids communicating with annoying neighbors, not caring about what opinion will be formed about him.

But, having some similar qualities, Onegin and Tatyana are in many ways different from each other. Onegin's arrogance and selfishness are opposed by Tatyana's spiritual generosity. These qualities of heroes are most clearly manifested in love. Onegin from a young age learned the "science of tender passion", which replaced true feelings.

How early could he be hypocritical,

Hold hope, be jealous

disbelieve, make believe

To seem gloomy, to languish,

Be proud and obedient

Attentive or indifferent!

Constant pretense became his second nature, stifled in his soul the ability to sincerely and strongly love. It was not this feeling that woke up in him after the suffering he endured! However, seeking the love of Tatyana the Princess, he thinks first of all about himself.

Tatyana belongs to those rich and exalted natures who do not know the calculation in love. She completely surrenders to her feeling, its strength and depth are above the generally accepted morality and conventions. The motives of Tatyana's last act can be interpreted in different ways. But one thing is certain - a strongly developed sense of duty tells her to abandon a loved one. Such a pure and whole nature, like Tatyana, is simply not capable of lying and pretending or finding happiness at the cost of humiliation and shame of an innocent person - her husband. This means that Tatyana, unlike Evgeny, thinks first of all about people. And he, on the contrary, is completely immersed in his own spiritual world. Many of his actions are dictated by selfishness and selfishness. But, perhaps, this is manifested most clearly in his relationship with Lensky. For example, not caring about his feelings, Eugene frankly expresses his impartial opinion about Olga. On the name day of the Larins, he takes care of Lensky's bride, causing suffering not only to his friend, but also to the girl in love with him. What makes him do it? A whim, a momentary whim that ends in tragedy. And this happened only because Eugene is primarily concerned about his reputation among the Zagoretsky, Petushkov, Buyan, despised by him.

The heroes have different attitudes not only to people, but also to nature, to Russian national traditions. Onegin, brought up by French tutors in the noisy bustle of the capital, is not able to feel the charm of rural nature, respect the language and customs of his people. Tatyana, who grew up among free fields and oak forests, communicating with the people (the closest person to her was a serf nanny), kept her life tender love to the native land and its nature, a touching attachment to the "poor villagers".

She loved on the balcony

Warn dawn dawn

When in the pale sky

Stars disappears round dance.

Nature here seems to come to life, giving completeness to Tatyana's inner portrait. Perhaps this connection with native nature, the common Russian life, endows the heroine with high moral qualities, gives charm and originality to her appearance and makes us see in Tatyana the ideal image of a Russian woman.

The final explanation of Tatyana and Onegin in A. Pushkin's novel "Eugene Onegin."

The scene of Tatyana and Onegin's explanation in the eighth chapter is the denouement of the novel, its logical conclusion. This chapter tells about the events that took place a few years after the death of Lensky, which to some extent separated the heroes. They meet again at the ball. The reader will learn that Tatyana is now a married lady, from a provincial girl she has turned into a secular lady, a “legislator of the halls”, although she still retains her individuality: “She was not in a hurry, Not cold, not talkative, Without an insolent look for everyone , No claims to success, Without these little antics, Without imitative undertakings. Everything is quiet, just was in it. ". Onegin does not even immediately recognize her at the ball. But he himself has practically not changed over the years: “Having lived without a goal, without labor Until the age of twenty-six, Languishing in the inactivity of leisure Without a service, without a wife, without work, He did not know how to do anything.”

The characters seem to have switched roles. Now Onegin “spends day and night in anguish of love thoughts. ". It would seem that Tatyana should be glad: now Onegin is in love with her, suffers. But she does not reveal her feelings either at the first meeting (“Hey, she! It’s not that she shuddered. Il suddenly became pale, red. Her eyebrow didn’t move; She didn’t even squeeze her lips.”), nor later, when Onegin confesses to her in her feelings in a letter (“She does not notice him, No matter how he fights, even die”); on the contrary, she is outraged:

He does not see him, not a word with him;

Wu! as now surrounded

Epiphany cold she!

How to keep resentment

Stubborn lips want!

On this face there is only a trace of anger.

Unable to stand the wait, Onegin goes to Tatyana's house and what does he see?

The princess is in front of him, alone,

Sitting, not cleaned, pale,

Reading a letter

And quietly tears flow like a river,

Rest your cheek on your hand.

Oh, who would mute her suffering

I didn't read it in this quick moment!

Tatyana continues to love Eugene, she herself admits this to him. In the third chapter, the author writes, talking about her feelings for Onegin: "The time has come, she fell in love." It would seem that this feeling of first falling in love should have passed quickly, because Eugene did not reciprocate her feelings, moreover, knowing about Tanya's love, he takes care of Olga on a name day. Even Evgeny's sermon in the garden did not affect Tatyana's feelings.

What prevents the heroine from reciprocating Oneginugin now? Maybe she is not sure of the sincerity of his feelings? Tatyana asks Onegin:

Why are you following me now?

Why do you have me in mind?

Is it not because in high society

Now I must appear;

That I am rich and noble

That the husband is mutilated in battles,

What is it that the yard caresses us for?

Not because eh, that my shame.

Now everyone would be noticed

And could bring in society

You seductive honor?

Don't think. Tatyana is a whole person. Although she was brought up on French novels (“She liked novels early; They replaced everything for her; She fell in love with the deceptions of Richardson and Rousseau”), the concepts of “family”, “marital fidelity” were not for her simple words. Although she does not love her husband, moral principles do not allow her to change him:

I got married. You must,

I ask you to leave me;

I know there is in your heart

And pride and direct honor.

I love you (why lie?),

But I am given to another;

I will be faithful to him forever.

The author stops the story about the heroes, says goodbye to them (“Forgive me, my companion is strange, And you, my true ideal.”). But the reader himself can easily guess the fate of his favorite characters. I think that each of them - both Tatyana and Evgeny - are unhappy in their own way: Tatyana doomed herself to life with her unloved husband; Onegin's soul was reborn, but too late. “And happiness was so possible, So close. »

Why did Tatyana Larina reject Onegin, denied him love?

Firstly, because adultery (betrayal of one's husband even in thoughts) is a mortal sin, and she was nevertheless raised a Christian. Secondly, he was the first to reject her, and so it was for her, unfaithful, to repay him with the same coin with pleasure.

For evil to him. When she confessed her love for Onegin, he rejected her. then she refused him out of spite

She refused him at the end of the novel. Because she is already married and does not intend to cheat on her husband.

And in the beginning she loved Onegin very much, but he did not need her.

In the end, he became interested in her rather because of pride, he wants her to always dry up for him. And people like Onegin are not capable of sincere love.

Because she wasn't free. Noah was given to another and I will be faithful to him for a century. Fidelity in married life was not an empty phrase for her. What future would await them if she answered him in return? If this happened, then L. Tolstoy would no longer need to write the novel Anna Karenina

Because everything needs to be done on time. It's too late to talk about love when a woman is no longer free. Late realized that he loves. And when it is a stranger, then this forbidden fruit is sweet. Moreover, Tatyana realized that Onegin was not serious and why ruin her life, her husband's life for the sake of some kind words. Honor then was above all. And also common sense conquered heart addiction. I respect such women, but modern ones, who are not guided by love impulses. Not every man will appreciate the fact that everyone left everything for him and followed him to the ends of the world. Yes, and not everyone can go.

Because she knew perfectly well what would happen if she did otherwise. What exactly - was described in prose by another genius of Russian literature - L.N. Tolstoy. True, at that time, when writing a continuation of the continuation, it was not customary to preserve the names of the main characters. And Tolstoy called his heroine Anna Karenina.

Can differently interpret Pushkin's novel Eugene Onegin. Probably because she did not want to ruin her marriage, to deprive her children of their father. And besides, she understood with her mind that her husband was a fortress, and Onegin, although all so airy and romantic, was fickle.

She made a choice. She, as a woman, wife, mother, is obliged to think about her and her children's well-being, the stability of marriage, and traditions. respect for the spouse. She has matured and understands that this is much more than passionate feelings. And an insecure, disappointed with life man will not be able to give this to her, and therefore happiness.

Previously, they did not breed for such a reason as dislike for their spouse. This time. And secondly, Tatyana treated her husband with great respect. Thirdly, Onegin is not worthy of Tatyana. He values ​​form, not content. He did not need Tatyana while she lived in the village. And as she became a socialite, Eugene suddenly woke up to her love. Yes, I think, not only Onegin was in love with her. Surely there were other men nearby who secretly sighed about her. Their marriage would not be happy, Onegin is too selfish.

Tatyana never stopped loving Evgeny, which she confirmed during the last meeting

She refused Onegin in the hope of a romance? adultery? whatever you want to understand. She denied him the right to compromise both herself and her husband.

She is truly noble, because she thinks not only about her impeccable reputation, but also about the honor of her husband, which, perhaps, is not more important for the moment.

And she still loves Onegin. Because strong love does not disappear so quickly. Perhaps it will happen that she will fall in love with her husband. We won't know this. Because it's a completely different story.

Tatyana is a whole and noble nature. If she makes a decision, she follows it to the end. It would be unthinkable for her to cheat on the husband to whom she once swore allegiance. Honesty and decency are not empty words for her, although she did not even have to think about it, because they were part of her nature.