The image of a beautiful lady in the lyrics of the block. The image of a beautiful lady in the romantic world of the early A. A. Blok Is the image of a beautiful lady modern essay block

The cycle "Poems about the Beautiful Lady" (1901-1902) became the central one in the first volume of A. Blok's lyrical trilogy. In it, the poet was guided by the "new poetry", which reflected philosophy Vl. Solovyov about Eternal Femininity, or about the Soul of the world. “Poems about the Beautiful Lady” were associated for Blok with his youthful love for his future wife, L. D. Mendeleeva, and therefore were dear to him all his life. Vl. Solovyov, in his teaching, argued that only through love can one comprehend the truth, unite with the world in harmony, defeat selfishness and evil in oneself. He believed that everything feminine carries a life-giving principle. Mother, wife, lover - they are the ones who save the cruel world from death. “High” love for a woman can reveal the hidden secrets of the world, connect a person with heaven.
In this cycle, the lyrical hero of Blok no longer experiences longing, loneliness, as in early poems, the perception of the world and the emotional tone of the poems change. They acquire an elegiac connotation and mystical content. At that time, the poet was intensely waiting for a revelation, calling on the Beautiful Lady. He wanted the time of truth and happiness, the transformation of the world, to come soon. He expressed his feelings by means of symbolism. He animated Femininity itself, called his dream Eternally Young, Eternal Wife, Princess, Holy, Virgin, Dawn, Kupina.
The images of the Beautiful Lady and the lyrical hero, her knight, are dual. Poems that deal with "earthly" love for a real woman belong to intimate lyrics. The hero is waiting for his Lady, gives her description:

She is slim and tall
Always haughty and harsh.

For the hero, she is a deity whom he worships, although he sees her only from afar or in the evening "at sunset." Each meeting with her is a joyful and long-awaited event. Now she is dressed in "silver fur", then in " White dress”, goes “into the dark gate”. These features of a real woman suddenly disappear, and the poet already sees the mystical image of the “Virgin of the Rainbow Gates”, calls her “Clear”, “Incomprehensible”. The same thing happens to the hero himself. Now he is “young, and fresh, and in love,” then he imagines himself as a monk lighting candles in front of the altar in the Temple of the Virgin, then as her knight. Before us are living heroes, and the hard work of their souls, capable of feeling deeply and strongly. The dramatic expectation of the arrival of the Beautiful Lady is caused by the hero's doubts. He feels unworthy of her. Blok contrasts earthly and heavenly, physical and spiritual. Lyrical hero passionately longs for the arrival of the Beautiful Lady, but he is an earthly person, with weaknesses and shortcomings, lives according to earthly laws. Will he be able to start living according to the laws of love, truth and beauty? The hero calls the light and the deity, but will he survive?
The hero wholeheartedly strives for the light, but is still in darkness. Hence, one of the central themes of the cycle is the theme of the path to the light. The hero repeats "Come!", referring to the Beautiful Lady. Her image is an embodied secret that she can reveal to people. Soberly assessing the state of human aspirations, the poet did not hope for quick changes in the souls of people, so he writes: “You are far away, as before, so now ...” Blok, using symbols, tried to tell readers that if people do not follow the path of good, love and justice, then a universal catastrophe awaits them. But still, his hero believes that someday life will change for the better: “But I believe you will ascend”; "You will open the Radiant Face."
Blok used and transformed his personal experiences in his work. The cycle "Poems about the Beautiful Lady" should be considered as love and landscape lyrics, as a mystical and philosophical story about the poet's path to Sophia, that is, to wisdom, and the path of the world to spiritual Transfiguration.

The whole horizon is on fire, and the appearance is near,

But I'm scared - you will change your appearance

You, And audacious arouse suspicion,

Replacing the usual features at the end.

The name of Blok, in our mind, is associated, first of all, with the image of a romantic poet who sings in his poems of the ideal beloved, the embodiment of perfect femininity and beauty. The appearance of this motif (rather, even the leitmotif of the author's early work) is associated with the aesthetics of symbolism and with the philosophy and poetry of Vl. Solovyov. The latter's teaching about the World Soul or Eternal Femininity, called upon to renew and revive the world, passed through the prism of Blok's poetic talent. At the same time, “Poems about the Beautiful Lady” are largely autobiographical, as far as this word can be applied to a poetic work. Blok embodied in them the intimate and lyrical experiences of his youth. The beloved girl becomes in his poems the Holy, Most Pure Virgin, a symbol of femininity and beauty.

The entire cycle of poems about the Beautiful Lady is permeated with the pathos of chaste love for a woman, chivalrous service to her and admiration for him as the personification of the ideal of spiritual beauty, a symbol of everything sublimely beautiful. The heroine of Blok's poetry is seen by the hero not as an earthly woman, but as a deity. She has several names: Beautiful Lady, Eternally Young, Holy Virgin, Lady of the Universe. She is heavenly, mysterious, inaccessible, estranged from earthly troubles:

Transparent, unknown shadows

They swim to you, and with them

You are swimming

In the arms of azure dreams,

Incomprehensible to us -

You give yourself.

It is inaccessible to the hero, because he is only a man, earthly, sinful, mortal:

And here, below, in the dust, in humiliation,

Seeing for a moment immortal features,

Unknown slave, filled with inspiration,

Sings you. You don't know him...

The lyrical hero of the cycle, the double of the poet -

Sometimes a servant, sometimes a sweetheart, And forever a slave.

A knight, a kneeling monk, a slave, he performs his service to the beautiful queen, the Blessed Virgin:

I enter dark temples

I perform a poor rite

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

In everything the hero seems to have her presence - in the bottomless azure of the sky, in the spring wind, in the song of the violin:

Since then, that neither night nor day,

Above me is your white shadow,

The smell of white flowers among the gardens,

Rustle, light steps by the ponds...

At the same time, the heroine is almost ethereal, incorporeal, her image does not imply anything concrete, “tangible”, because everything earthly is alien to her:

Here's a face emerging from lace,

A face emerges from the lace...

Here float her blizzard trills,

The stars are bright with a train dragging ...

“I can’t hear any sighs or speech,” says the hero.

To describe the object of his worship, the author uses epithets such as “radiant”, “mysterious”, “ineffable”, “illumined”, “pleasant”. But in some verses about the Beautiful Lady, her image takes on more concrete, earthly features, devoid of a touch of mysticism:

I'll get up in the foggy morning,

The sun hits your face.

Are you a desirable friend?

Are you coming up to my porch?

Before us is no longer an abstract image, but an earthly woman; it should be noted that when speaking about it, the poet refuses capital letters.

In the poems that followed the cycle of the Beautiful Lady, one can trace the further development of her image. The heroine of the cycle remained a celestial who did not condescend to the hero and his love. In later poems, the figure of a new heroine appears, who also in her own way embodies the ideal of beauty and light. Heavenly angel, Star Maiden unexpectedly falls to the ground:

You flowed like a bloody star

I measured your path in sorrow

When you started to fall

The metaphysical fall of the Virgin disturbs and saddens

A hero, but then he understands when he finds his beloved

On the unconsecrated ground, in the "unlit gate" that

And this look is no less bright,

Than was in the misty heights.

Having descended from "heaven", the heroine has not lost her beauty, charm, charm. This is how the Stranger is born - an angel who descended to earth, a “genius of pure beauty”, in the words of A. S. Pushkin. In the poem “A Train Spattered with Stars”, the heroine is compared to a comet falling down, connecting heaven and earth with this fall:

A train splattered with stars

Blue, blue, blue eyes.

Between earth and heaven

Whirlwind raised fire.

So the image of the mystical “Eternal Femininity” is replaced in the poetic world of Blok by the romantic image of the Stranger living on the earth. And then there is another conflict:

In the midst of this mysterious vulgarity,

Tell me what to do with you -

unattainable and unique

How is the evening smoky blue?

The heroine is doomed to stay in a world of vulgarity and dirt. How is it possible for the coexistence of the beautiful and the ugly, the sublime and the mundane? Blok tries to answer this question in his poem “The Stranger”. It is built on the opposition of two worlds. In the first part, the poet gives a picture of the ugly everyday reality (stuffiness of the streets, boredom, dust, crying, screeching). Ordinary, familiarity of what is happening is emphasized by the repeated use of the combination “and every evening”. And at the same time -

At the appointed time

(Is it just my dream?)

Maiden's camp, seized by silks,

In the foggy window moves.

The image of the Stranger cannot be interpreted unambiguously. Is this just a vision dreamed up by the hero sitting over a glass of wine? Is it real woman, endowed with the attributes of a romantic lover - again, not without the influence of alcohol? An heir to romanticism, Blok does not avoid ambiguity and irony. One thing seems certain: dream and reality are incompatible, there is no place for the ideal in the world of everyday life. The last lines look like a sarcastic conclusion:

You're right, drunk monster!

I know: the truth is in wine.

But - how to know? Maybe it's the wine of poetry? Romantic in nature: the image of the Beautiful Lady gives a tragic sound to Blok's works. The ideal beloved is far away, inaccessible, lifeless, she is only a symbol. Over time, her image is filled with vital content: the poet is looking for his heroine in this world. But the meeting cannot bring him either joy or peace, since the impossibility of its existence on earth is obvious. This is how the image of the Beautiful Lady - the Eternal Femininity of the desired friend - the fallen angel - the Stranger, develops and finds its end in Blok's poetry.

The evolution of the image of a beautiful lady in the lyrics of A. Blok

The whole horizon is on fire, and the appearance is near,

But I'm afraid you will change your appearance,

And daringly arouse suspicion,

Replacing the usual features at the end.

It is inaccessible to the hero, because he is only a man, earthly, sinful, mortal: And here, below, in the dust, in humiliation, Seeing immortal features for a moment, An unknown slave, full of inspiration, He sings to you. You don't know him...

The lyrical hero of the cycle, the poet's double Sometimes a servant, sometimes a sweetheart, And forever a slave.

A knight, a kneeling monk, a slave, he performs his service to the beautiful queen, the Most Pure Virgin: I enter into dark shames, I perform a poor ritual, There I wait for the Beautiful Lady In the flickering of red lamps.

In everything, the hero feels her presence in the bottomless azure of the sky, in the spring wind, in the song of the violin: Since then, night and day, Your white shadow is above me, The smell of white flowers among the gardens, The rustle of light steps by the ponds. ..

At the same time, the heroine is almost ethereal, incorporeal, her image does not imply anything concrete, “tangible”, because everything earthly is alien to her: Here a face arises from lace, A face arises from lace ...

Here her blizzard trills are floating, The bright stars are dragging in a train ...

“I can't hear any sighs or speeches,” says the hero.

Are you, beloved friend, Do you come up to me on the porch? Before us is no longer an abstract image, but an earthly woman; it should be noted that when speaking about it, the poet refuses capital letters.

The metaphysical fall of the Virgin disturbs and saddens the hero, but then he understands, having found his beloved on the unconsecrated ground, in the “unlit gate”, that this gaze is no less bright than it was in the misty heights.

Having descended from "heaven", the heroine has not lost her beauty, charm, charm. This is how the Stranger is born, an angel who descended to earth, a “genius of pure beauty”, in the words of A. S. Pushkin. In the poem “Trail spattered with stars”, the heroine is compared to a comet falling down, connecting heaven and earth with this fall: A plume spattered with stars, Blue, blue, blue eyes.

Between earth and heaven Whirlwind raised fire.

So the image of the mystical “Eternal Femininity” is replaced in the poetic world of Blok by the romantic image of the Stranger living on the earth. And then another conflict arises: In the midst of this mysterious vulgarity, Tell me what to do with you Unattainable and unique, Like a smoky blue evening? The heroine is doomed to stay in a world of vulgarity and dirt. How is it possible for the coexistence of the beautiful and the ugly, the sublime and the mundane? Blok tries to answer this question in his poem “The Stranger”. It is built on the opposition of two worlds. In the first part, the poet gives a picture of the ugly everyday reality (stuffiness of the streets, boredom, dust, crying, screeching). Ordinary, familiarity of what is happening is emphasized by the repeated use of the combination “and every evening”. And at the same time ... at the appointed hour (Is it just a dream of mine?) A girl's camp, seized by silks, Moves in a foggy window.

The image of the Stranger cannot be interpreted unambiguously. Is this just a vision dreamed up by the hero sitting over a glass of wine? Is this a real woman, endowed with the attributes of a romantic lover, again, not without the influence of alcohol? An heir to romanticism, Blok does not avoid ambiguity and irony. One thing seems undoubted: dream and reality are incompatible, there is no place for the ideal in the world of everyday life. The last lines look like a sarcastic conclusion: You're right, drunken monster! I know: the truth is in wine.

But how do you know? Maybe it's the wine of poetry? Romantic in nature: the image of the Beautiful Lady gives a tragic sound to Blok's works. The ideal beloved is far away, inaccessible, lifeless, she is only a symbol. Over time, her image is filled with vital content: the poet is looking for his heroine in this world. But the meeting cannot bring him either joy or peace, since the impossibility of its existence on earth is obvious. This is how the image of the Beautiful Lady of Eternal Femininity, the desired friend of the fallen angel of the Stranger, develops and finds its end in Blok's poetry.

Bibliography

For the preparation of this work, materials from the site were used. http://www.coolsoch.ru/

The work of Alexander Blok falls on the beginning of the 20th century. This period was marked for the whole of Russia as a turning point in its history and was reflected in many works of the great poet. Many of Blok's poems and poems, dedicated to the political situation in the country, evoke opposite opinions from readers. Some admire them, others don't. But it can be said for sure that everyone reads works related to Blok's early lyrics with great pleasure. Undoubtedly, these are masterpieces. love lyrics. Blok created them inspired by his young wife, the daughter of the great Russian scientist Mendeleev. Her beauty served as a source of Blok's thoughts, which, having formed into beautiful verses, made the hearts of many of his admirers worry. In the works of Blok there is no image of a specific woman. His Muse appears in the form of eternal femininity, tenderness, purity. The beautiful Lady of Blok personifies an ordinary earthly woman, something sublime, combining the best feminine traits:
Oh, Holy One, how gentle are the candles,
How pleasing are Your features!
I hear neither sighs nor speeches,
But I believe: Honey - You.
Blok presents himself as a servant of the Beautiful Lady, as her knight:
I enter dark temples
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering of red lamps.
In his poems, Blok is based on his experiences, feelings, he opens his soul, appears before us as an ardent dreamy young man. For him, as if there is no reality, he is completely devoted to his dreams of the Beautiful Lady:
Discordantly excited by the noisy life,
Whispering, screaming embarrassed,
White dream motionless chained
To the shore of late times.
White You, in the depths of nesmutina,
In life - strict and angry.
Secretly anxious and secretly loved
Virgo, Dawn, Kupina.
But gradually there is a crisis of his youthful reverie, it gives way to an awareness of reality. His Beautiful Lady acquires certain features, becomes more earthly. In The Stranger, Blok describes his new Muse. Blok transfers her from the sublime environment to the usual, characteristic of every simple woman:
In the evenings above the restaurants
Hot air is wild and deaf
And rules drunken shouts
Spring and pernicious spirit.
She is still beautiful, proud, rises above the monotony and vulgarity. However, there have been some changes:
And slowly, passing among the drunk,
Always without companions, alone,
Breathing in spirits and mists,
She sits by the window.
And breathe ancient beliefs
Her elastic silks
And a hat with mourning feathers
And in the rings a narrow hand.
This description leads us to think about her aristocratic, noble origin. Her face is covered with a veil, which symbolizes some kind of mystery. We still don’t know everything about the new Beautiful Lady, it seems that there is something unknown behind her wonderful appearance:
And chained by a strange closeness,
I look behind the dark veil
And I see the enchanted shore
And the enchanted distance.
Deaf secrets are entrusted to me,
Someone's sun has been handed to me,
And all the souls of my bend
The tart wine pierced.
Perhaps it was this secret that formed the basis of the title of the poem "The Stranger". Time passed, and Blok's opinion about his Muse changed more and more and moved further from the image of the Beautiful Lady and the Stranger. During this period, Blok dedicated most of his creations to the Motherland. Many poets represented the Motherland in their works as a mother. Blok spoke of her as a wife, as a lover:
Oh, my Rus'! My wife! To pain
We have a long way to go!
This is how Blok writes about Russia in the cycle “On the Kulikovo Field”. In the poem "Autumn Day" Blok again presents his homeland as his wife:
Oh my poor country
What do you mean to the heart?
Oh my poor wife
What are you crying about?
Thus, Blok was constantly changing, and with him the image of his Muse was constantly changing. These poems, filled with great love for femininity, the Motherland, can be liked by people of any age, men and women, people who are fond of politics and far from it, because they are about love, an eternal feeling close to any person. Blok's early poems are always relevant, just as love is always relevant.