Diego Rivera is a revolutionary with a brush in his hands. School Encyclopedia Diego Rivera paintings the most famous
Diego Rivera, known by the nickname "cannibal", was born into a well-to-do family in Guanajuato, Mexico (Guanajuato, Mexico), on December 8, 1886. Diego's twin brother, Carlos, lived only two years. From 1896 to 1902, Rivera studied at the Academy of Fine Arts of San Carlos, and then went to Spain.
In 1922, Rivera joined the Mexican Communist Party, from which he left in 1929. He began to adhere to Trotskyist views, but due to a conflict with Trotsky himself (Leon Trotsky), Diego was expelled from the Mexican section of the Trotskyist "4th International".
The artist recreated his famous mural "Man at the Crossroads", destroyed in 1934 by decision of the board of the Rockefeller Center. In a slightly modified version, called "The Man in Control of the Universe", Trotsky appeared, alongside Karl Marx and Friedrich Engels.
Possessing a special charm and attractiveness, Diego broke one woman's heart after another. Repeatedly depicting himself as a fat-bellied frog holding someone's heart in his hand, the artist once admitted that he was eager to subject women to suffering, especially those with whom he was madly in love.
The first wife of the "cannibal" was the Russian artist Angelina Belova (Angelina Beloff). The marriage was concluded in 1911, and the wife gave her husband "everything that only a woman can give a man." For this, Diego "rewarded" her "with all the suffering that a man can inflict on a woman."
Passion, intrigue, insane jealousy, despair and even assault - these were the main components of the marriage between Belova and Rivera. Their son failed to recover from the flu and died in 1918. The couple broke up in 1921, but the Russian artist was never able to burn out the love from her heart for "a man with swollen eyelids and bulging eyes."
In one of the letters ex-husband Angelina did not fail to announce that Diego became her God. This "god" somehow accidentally met her in Mexico City (Mexico City) and pretended not to recognize her or never knew her at all.
While still in his first marriage, Rivera made hostage to his love another Russian artist, Maria "Marevna" Vorobyeva-Stebelskaya (Maria Vorobieff-Stebelska). The heartthrob pressed on his new "victim" until Maria realized that this man was alien to any moral principles. Later, in her memoirs, she stated that she was attracted by the unusualness of Diego, who has the strength of a genius and the weakness of a child.
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Marevna's illegitimate daughter, Marika Rivera, who became a theater and film actress and dancer, known for the films "Fiddler on the Roof" and "The Girl on a Motorcycle" ), Diego never admitted in public. He left his daughter and a wildly offended and humiliated mistress, who left him a scar on his neck from a knife, and went to his native land in order to start all over again. Marevna later wrote that River's guide to life was his lust and passion for women.
Returning to Mexico (Mexico) and inspired by the prevailing atmosphere in the country after the revolution, the artist began to create his monumental works, called murals. In 1922, he married the Mexican model and writer Guadalupe Marín. She bore her husband two daughters.
In 1927, the artist visited the USSR (USSR), where the following year he was appointed a founding member of the Oktyabr association. Diego took part in the celebration of the 10th anniversary of the Great October Socialist Revolution in the Russian capital. His sketches of participants in the celebration in Moscow (Moscow) were shown in an exhibition at the New York Museum of Modern Art. The artist visited the USSR for the second time in 1955-1956.
Without cheating on himself, Rivera cheated on his second wife with student Frida Kahlo, who became the main woman in his life. The marriage broke up in 1929, and in the same year, 42-year-old Diego married a 22-year-old "girl from a space race", attracting him like a magnet. However, this connection was more spiritual than carnal, and the artist did not experience anything like this in his life.
In 1939, Frida filed for divorce after learning about her husband's infidelity with her sister Christina. Kahlo decided that she also had the right to sleep with whomever she wanted, and Trotsky, who settled in Mexico with his wife in 1937, remained one of her lovers.
However, in 1940, Diego and Frida tied the knot again. The husband, exhausted by separation, was ready to do anything to return the "extroversive nature", and she demanded that a marriage contract be concluded, which provided for a complete renunciation of sex. The couple had no children. Suffering from polio and having suffered a terrible car accident, Kahlo, who was in poor health, suffered two miscarriages.
The artist died on July 13, 1954. They say that she herself begged the Mexican actress Maria Felix (María Félix), many of whose portraits were painted by Diego, to marry Rivera after her death. The wedding really took place, but with Emma Hurtado (Emma Hurtado), the owner of the art salon.
Being an atheist, Diego became a member of the theological and secret mystical "Order of the Rose and Cross", founded by the American occultist Harvey Spencer Lewis.
When in 1954 Rivera tried to return to the Mexican Communist Party, which considered the "Order of the Rose and Cross" "suspiciously similar to Freemasonry", the artist was called to account. Initially, Diego claimed to have infiltrated the Order, a typical Yankee organization, for the glory of communism.
However, later he assured that, in essence, the order had a materialistic nature, allowed the existence of various states of matter and energy, and was based on ancient Egyptian occult knowledge from Amenhotep IV (Amenhotep IV) and Nefertiti (Nefertiti).
Diego Rivera- artist-painter and muralist, who wrote many beautiful paintings and frescoes. He was involved in politics and repeatedly visited the USSR, was friends with Lenin and Trotsky.
Biography
Diego Riverawas born on December 08, 1886 in the northwestern part of Mexico. His family was well-known and wealthy. At the age of 10, the boy began to receive drawing skills at the Academy of Arts. Art immediately interested Diego, thanks to this he made progress. For an excellent study, the boy received a scholarship that allowed him to move to Spain. For a long timeDiego Riveratraveled around Europe, gaining knowledge and gaining experience. Here the young man meets famous artists such as Picasso and Reyes.
Artist Diego Riverashaped his style under the influence of various trends: modernism, classical European art, cubism, Mexican art.
Political activity
In 1922, Rivera becomes interested in politics and joins the communist party in Mexico, later he even decides to go to the USSR. Here he takes an active part in the activities of the October association and supports the communists.
A few years later, the artist changes his views in favor of Trotskyism, but the murder of the founder of the movement forces him to join the main course of Stalin.
Frida Kahlo
Frida Kahlo - that was the name of the bride and future wife of the famous artist. She was born into a simple Mexican family. Despite serious illness(polio), which Frida suffered as a child, a cheerful disposition and perky character were her hallmarks. At the age of 18, the girl gets into a car accident and damages her ribs and collarbone. The huge number of operations and the long recovery period took many years and left a big imprint on her health. The girl was constantly forced to wear a corset, and the doctors said that she would not be able to have children. The sad event brought her even closer to the main passion of her life - painting. This passion introduced the girl to the famous artist.
Personal life of a famous artist
The first wife of the artist was Lupe Marin. Their marriage did not work out, and they soon divorced. At the time of meeting the future second wifeDiego Riverawas already a grown man and an accomplished artist. Moreover, he was known as a great womanizer, despite his unattractive appearance. He was quite heavy (more than 100 kg) and ugly. He was even compared to an elephant and a toad. External flaws did not prevent Rivera from enjoying great success with women. His sociability and charm bribed anyone.
The couple met in the school yard, where the artist helped decorate the walls. The girl decided to show him her work, as a result, their communication grew first into friendship, and soon Rivera asked for the hand of a young girl. He was not embarrassed by her illness and the fact that she could not walk.
Family life
The nature of the newlyweds was hot, and disagreements often ended in quarrels. The young bride was never afraid to point out to her husband the shortcomings in his work, which greatly offended her husband. He left, but always returned with gifts. Frida was very fond of jewelry. It doesn't matter what it is: stones, glassor real diamonds.
Despite Frida's diagnosis, the couple always dreamed of children. Frida Kahlo was pregnant three times and miscarried three times. The family did not despair, and soonDiego Riveradecides to take his wife to the USA to undergo treatment there.
Frida did not like life in America. The United States surprised with its splendor and indifference to others. Frida, who saw the other side of life, could not understand this. Here, a woman suffers a serious illness, which only reduces the chances of getting pregnant.
During this time period, Diego Rivera painted the famous mural for the Rockefeller Center, which featured Lenin among other characters. He joined the hands of the workers. Despite the demand to replace the face of a Russian politician with the face of a stranger, Rivera refused to change anything. He did not receive a cent for his work, and in 1934 the fresco was destroyed. The painter later recreates his famous work in the Palace of Arts in Mexico.
Friendship with Trotsky and the destruction of the family
In 1936 the political situationin the USSR forced Trotsky to flee persecution to Mexico. Here he takes refuge in the house of an old acquaintance of the artist.Rivera and Trotsky became very close and became true friends.
Discord in the family occurred when Diego Rivera found out about the affair of his wife and his close friend. Trotsky was fascinated by his friend's wife, but Frida did not experience such strong feelings. More she wanted to take revenge on her unfaithful husband. The politician had to leave the friendly house, and the relationship of the couple began to worsen. Despite his constant infidelity, her husband could not forgive Frida for cheating.
Soon decide to leave. During this period of time, Frida's health only worsened. Had several major surgeriesFrida. Diego Riveracould not forget his wife. Time and other relationships could not kill feelings, and in 1940 they remarried. The disease tormented Frida until the last days, and in 1954 she died.
During her lifetime, Frida wrotemany famous paintings, one of which was even placed in the Louvre.
Diego Rivera, paintingswho are known all over the world, lived without his beloved wife for only three years. He died in Mexico, and they buried him on the territory of the Rotunda of famous creators.
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodriguez; 8 December 1886 - 24 November 1 957) - Mexican painter, muralist, political figure left wing.
Diego Rivera was born on December 8, 1886 in the city of Guanajuato in northwestern Mexico into a wealthy family. On his paternal side, he came from the Spanish nobility. Diego had a twin brother who died at the age of two. His mother was a converso, a Jewish woman whose ancestors were converted to Catholicism.
From 1896 to 1902, Rivera took drawing and painting lessons at the San Carlos Academy of Fine Arts in Mexico City. He was awarded a scholarship that allowed him to travel to Spain. From 1907 to 1921 he lived in Europe. He studied at the Academy of Fine Arts in Madrid (1907), then lived and worked in Paris (1909-1920), Italy (1920-1921), also visited Belgium, the Netherlands and Great Britain. He was closely acquainted with the Parisian artistic elite, including Pablo Picasso and Alfonso Reyes.
For six months, Rivera's lover was Marevna (real name Maria Bronislavovna Vorobyova-Stebelskaya (1892-1984)), a Russian artist and memoirist of Polish origin, who gave birth to his daughter Marika (1919), who later became an actress.
Rivera was influenced by both classical European fine art (he studied wall paintings from the 14th and 16th centuries) and modernism, in particular Cubism. Traditional Mexican artistic genres and styles are very close to him.
In 1922, Rivera joined the Mexican Communist Party, in the same year he married a second time, to Guadalupe Marin.
In 1927 the artist came to the USSR, where in 1928 he became a founding member of the Oktyabr association.
Rivera participated in the celebration of the 10th anniversary of the Great October Socialist Revolution in Moscow. During the military parade and demonstration on this occasion on Red Square, he was on the podium of the Lenin Mausoleum. He made dozens of sketches of participants in the celebration in Moscow. These drawings were featured in an exhibition of Rivera's work at New York's Museum of Modern Art.
Later, Rivera began to adhere to Trotskyist views, in 1929 he left the Mexican Communist Party and, after Trotsky's arrival in Mexico, gave him shelter in his house. Then a conflict arose between them. On August 7, 1939, Rivera was expelled from the Mexican section of the Trotskyist 4th International.
Over time, he took a position that corresponded to the course of Stalin, and in 1954 he again joined the Mexican Communist Party.
Rivera worked in the USA in 1930-1934 and 1940. Since 1922, he became one of the founders of the Mexican school of monumental painting, painting a huge number of walls of public buildings and creating in this regard small form frescoes.
One of the main themes in Rivera's work is folklore stories, beliefs and customs of the people of Mexico, as well as the revolutionary movement in the country.
In 1932-1933, Rivera created the mural "Man at the Crossroads" commissioned by the Rockefeller Center in New York. The most significant in this fresco, representing the world of capitalism as the world of exploitation of man by man and the world of socialism as the world of victorious workers, were the images of V. I. Lenin joining the hands of the workers, and demonstrations on Red Square in Moscow.
The fresco was destroyed in 1934 by decision of the board of the Rockefeller Center (which was made official by the center) after Rivera refused to replace the image of Lenin with "an image of the face of an unknown person," as it was written in a letter from the center's lawyer. At the same time, Nelson Rockefeller did not pay the artist a fee. Later, the artist went to Detroit, where he made good money.
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We usually dedicate the "10 Unknowns" section, which appears on the site every Monday, to forgotten and little-known works of art kept in the collections of Moscow museums, or to unobvious masterpieces presented in temporary exhibitions. But in some cases, we collect for you guides to the virtual museum of one artist or movement in art to tell you about the brightest or most unusual masterpieces of world culture located in different parts of the world.
Diego Rivera. Self-portrait for Irena Rich. 1941
December 8 marks the 130th anniversary of the birth of Diego Rivera (1886-1957), the most famous Mexican artist, husband of Frida Kahlo and a committed communist. About the work of the brilliant master - in the new material of the heading "10 unknown".
Diego Rivera. House over the bridge. 1909
Diego Rivera is a Mexican painter, muralist, graphic artist, husband of Frida Kahlo (twice), lover of all of Mexico, communist, revolutionary, cubist, symbolist, expressionist and one of the greatest artists of the 20th century. In Russia, he is not so widely represented: everything that is known about him most often comes down to the history of his relationship with Frida.
The earliest works that Rivera painted at the age of 18–25 became a continuation of the traditions of classical European painting. Landscapes in the spirit of Cezanne, still lifes, reminiscent of the work of Matisse - all this spoke of the artist's close acquaintance with French painting of his contemporary period.
Diego Rivera. Breton girl. 1910
Rivera was also familiar with the works of the old masters: the portrait of a Breton girl and a number of other portraits are close in spirit to the works of, for example, Jan Vermeer. It is easy to imagine them on a par with the famous "Girl with a Pearl Earring" or "The Milkmaid", despite the fact that these paintings are separated by almost 300 years. Rivera easily imitates traditions and enriches them with modern impressionistic techniques. Pay attention to how sweepingly and textured the face or clothes of the girl are written: Diego perfectly mastered the achievements of Monet and Manet.
Diego Rivera. Portrait of Adolf Best Mogar. 1913
Only a few years will pass, and Rivera will stand on a par with Pablo Picasso, stepping over the history of impressionism. The period of passion for cubism in the work of the Mexican artist was short-lived - it lasted only two or three years. Rivera quickly mastered the manners of the avant-garde masters, achieved perfection in their interpretation and, realizing that he had exhausted the means of their artistic expression, he moved on to the next style or direction. He was always eager to learn new things, but Picasso was a real discovery for him.
Diego Rivera. Portrait of two women. 1914
The first acquaintance with cubism, rather, pushed Rivera away from such painting: he liked compositional techniques, but he did not accept the destruction of the subject. In earlier works, we see how integral, voluminous and textured he depicts visible forms, while the Cubists broke them into pieces. Rivera begins to closely study the works of Picasso and Georges Braque, the founders of the movement, as well as the main manifestos of cubist painting, and gradually realizes that everything that once seemed to him chaos is a consistent logic. It was not for nothing that both Diego and the Cubists started from the discoveries of Cezanne: Picasso took the next step in the analysis of form, and Rivera had to obediently follow him.
Diego Rivera. triumph of the revolution. 1926
A huge part of Rivera's works is devoted to political themes. Rivera and Frida Kahlo were communists, actively participated in demonstrations, met with Russian emigrants: it is known that Leon Trotsky lived in their house. In Rivera's work, this theme often intersected with national motifs and religious motifs and images, intertwining into single complex plots. The heroes of the painting "The Triumph of the Revolution" distribute food, feed children and women. Rivera places the wheel right behind the character's head, which is pictured on the left. Of course, this is not a halo in the truest sense of the word, but not a single detail in Rivera's paintings is accidental.
Diego Rivera. Wall Street Banquet. 1928
Like any communist, Rivera was a critic of capitalism. He created a whole series of paintings condemning the vices of society. Among them are "The Night of the Rich", "The Night of the Poor", "The Death of a Capitalist" and "The Wall Street Banquet". These works of composition are built in the same way: a long vertical format, a narrow, cramped space of the picture and, on top, a slogan written on a red ribbon framing the image inscribed in the arch. At the "banquet" all the guests drink champagne, sitting under a huge bank safe. A symbolic gold vein stretches across the entire table (by the way, veins and blood vessels connecting people were one of the main motifs in the work of Frida Kahlo), and right in front of the viewer, in the center of the foreground, there is a table lamp in the form of the Statue of Liberty, symbolizing America.
Diego Rivera. Dr. Moore's hands. 1940
Dr. Moore from Los Angeles, a friend of Rivera, gave him this painting. This is not a traditional portrait: the canvas depicts the hands of a doctor with a scalpel cutting through a tree. If you look closely, instead of a tree, it is easy to see a female figure, and its roots resemble blood vessels. At the bottom of the picture on the tape there is an inscription: "These are the hands of Dr. Clarence Moore from Los Angeles, from California. They prune the tree of life so that it is updated and does not die. Painted by Diego Rivera in 1940." Thanks to this signature, the deep symbolism of the depicted becomes clear: the doctor cuts the umbilical cord at the birth of a new life. Frida could have painted such a canvas - it was quite in her spirit. It is also known that Rivera considered himself Kahlo's inspiration and teacher.
Diego Rivera. Portrait of Natasha Zakolkova-Gelman. 1943
Frida was main love Rivers. They married twice, and their violent southern temperaments led to such quarrels and scandals that all of Mexico knew about. However, Rivera never painted her portraits: on his canvases he depicted hundreds of models, but not her. Maybe it was a sign of special respect. There is an interesting detail in this portrait: Diego was very fond of white callas and often depicted them in paintings.
Diego Rivera. Dream of a Sunday afternoon in Alameda Park. 1948
The painting "Sunday Dream in Alameda Park" is dedicated to the traditional Mexican holiday - the Day of the Dead. The multi-figure composition includes a huge number of portraits of contemporaries, representatives of the Mexican elite in formal dresses and the poor lower classes, and in fact - all strata of Mexican society. The main detail of the work, which reveals the whole essence of what is happening, is a figure in a mask resembling a skull, the so-called Katrina mask. This character was created by the Mexican artist José Guadalupe Posada in 1913 and became the central hero of folk festivals.
Diego Rivera. May demonstration in Moscow. 1956
Diego died in 1957. He worked until the last day, resurrecting and embodying his old plans. One of the last major works was "May Demonstration in Moscow". The artist came to the capital twice - in 1928 and 1956. On his first visit, he met Soviet photographers and artists, lectured at the Komakademiya, participated in the planning of cities and the development of the design of household items, and signed manifestos.
On May 2, 1928, he hurriedly left the USSR, taking with him notebooks with sketches and sketches. The true reasons for the artist's imminent departure remained unknown, but in 1929 he left the Mexican Communist Party and took a tough anti-Stalinist position, while remaining a categorical anti-capitalist. In the painting "May Demonstration" Diego Rivera accurately and recognizably depicts the corner of the Kremlin and the Historical Museum, St. Basil's Cathedral and Lenin's Mausoleum. At the same time, the demonstration itself is rather an impression of what he saw: millions of people merge into a single stream flowing to Red Square.
Details Category: Fine Arts and Architecture of the 20th century Posted on 01.10.2017 17:57 Views: 1505The life of Diego Rivera is a chain of contradictory events and facts. This is one of the most scandalous and prominent cultural figures in Mexico.
He excited public opinion with his creativity, political views and personal life throughout the first half of the 20th century.
From the biography of the artist (1886-1957)
Diego Maria de la Concepción Juan Nepomuseno Estanislao de la Rivera and Barrientos Acosta and Rodriguez is his full name. The future artist was born on December 8, 1886 in the city of Guanajuato in northwestern Mexico in a wealthy family. From 1896 to 1902, Rivera took drawing and painting lessons at the San Carlos Academy of Fine Arts in Mexico City. From 1907 to 1921 he lived in Europe: he studied at the Academy of Fine Arts in Madrid (1907), then lived and worked in Paris (1909-1920), Italy (1920-1921), Belgium, the Netherlands and Great Britain. He was closely acquainted with Pablo Picasso and Alfonso Reyes (Mexican writer).
He was influenced by classical European visual arts and modernism (mainly cubism), as well as traditional Mexican art genres and styles.
D. Rivera "Adoration of Our Lady" (1913)
In 1922, Rivera joined the Mexican Communist Party.
In 1927, the artist visited the USSR and even became a founding member of the October association, participated in the celebration of the 10th anniversary of the October socialist revolution in Moscow, being on the podium of the Lenin Mausoleum. He made sketches of the participants of the celebration in Moscow.
Rivera later adopted Trotskyist views, left the Mexican Communist Party and, after Trotsky's arrival in Mexico, gave him shelter in his house. After a conflict between them in 1939, Rivera was expelled from the Mexican section of the Trotskyist 4th International.
Then, having become a supporter of Stalinism, in 1954 he again joined the Mexican Communist Party. In 1955-1956. the artist came to the USSR again.
D. Rivera "May demonstration in Moscow" (1956)
Diego Rivera died on November 24, 1957 in Mexico City and was buried in the territory of the Rotunda of Eminent Figures.
Rotunda of Eminent Persons- site on the territory of the Civil Pantheon Dolores in Mexico City. The ashes of famous military men, scientists, prominent cultural figures of Mexico are buried here.
Rivera has been married three times. His last wife was the artist Frida Kahlo - the main woman of his life.
Frida Kahlo and Diego Rivera. Photograph 1929
The work of Diego Rivera
In 1922, he became one of the founders of the Mexican school of monumental painting, painted a huge number of walls of public buildings. He painted the buildings of the Ministry of Education (1923-1929), the Ministry of Health (1929-1930), the National Palace (1929-1950s), the Prado Hotel in Mexico City (1947-1948), the National Agricultural School in Chapingo (1926-1927 ), the Palace of Cortes in Cuernavaca (1929-1930), the Institute of Arts in Detroit (1932-1933), the Insurgentes Theater (1951-1953), the Olympic Stadium in Mexico City (1952-1953), the Lerma River Water Distribution Chamber (1951-1953 ).
Olympic Stadium in Mexico City
In the 1930s he became one of the most famous artists in Mexico.
One of the main themes in Rivera's work is folklore stories, beliefs and customs of the people of Mexico, the events of the revolutionary movement in the country.
In 1932-1933. Commissioned by the Rockefeller Center in New York, Rivera created the mural "Man at the Crossroads." It depicted V. I. Lenin joining the hands of the workers, and demonstrations on Red Square in Moscow.
D. Rivera "Man at the Crossroads"
D. Rivera. Fresco fragment
The fresco consisted of three parts. In the center is a man - the lord of the elements. Two worlds are opposed to each other: socialism with all its advantages - and the horrors of capitalism.
By decision of the board of the Rockefeller Center, the fresco was destroyed in 1934 after Rivera refused to replace the image of Lenin with another, unknown image.
The artist recreated the mural in Mexico City at the Palace of Fine Arts (but Trotsky’s image has already appeared on it). The mural was titled "The Man in Control of the Universe".
D. Rivera "The Man in Control of the Universe" (detail depicting Trotsky)
For several years after 1934, he was mainly engaged in easel painting. He worked in oil and watercolor, preferred portrait and landscape.
Starting in 1940, Rivera again turned to fresco painting: he worked for the World Exhibition in San Francisco, painted the National Palace in Mexico City.
Easel painting by D. Rivera
Although the main work of the artist was wall painting, a monumental fresco, easel painting occupied a significant place in his work. The Cubist period began around 1913 and did not last long, 2-3 years. Rivera quickly mastered avant-garde styles, achieved perfection in their interpretation and moved on to the next style or direction. He always eagerly studied new things, Picasso became a real discovery for him.
D. Rivera. Portrait of a man (artist Zinoviev) (1915)
Most of Rivera's works are devoted to political themes. Rivera and Frida Kahlo were communists, actively spoke at demonstrations, met with Russian emigrants.
D. Rivera "Triumph of the Revolution" (1926)
The heroes of the picture distribute food, feed children and women. Rivera places the wheel directly behind the head of the character pictured on the left. This is not a halo in the truest sense of the word, but not a single detail in Rivera's paintings is accidental.
In all his works, the artist focuses on the movement and richness of the landscape.
D. Rivera "Twilight in Acapulco" (1956)
All critics note the features of the artist's style, which no one could repeat. Or rather, his work is a mixture of styles: realism, symbolism, expressionism, surrealism...
D. Rivera "The Hands of Dr. Moore" (1940)
The canvas depicts the hands of a doctor with a scalpel cutting through a tree. Instead of a tree, a close look at the picture makes it easy to see a female figure, and its roots resemble blood vessels. At the bottom of the picture on the tape there is an inscription: “These are the hands of Dr. Clarence Moore from Los Angeles, from California. They prune the tree of life so that it is renewed and does not die. Drawn by Diego Rivera in 1940. Thanks to this signature, the symbolism of the depicted becomes clear: the doctor cuts the umbilical cord at the birth of a new life.
D. Rivera "Sunday Dream in Alameda Park." Central Fragment (1948)
This painting is an image of a traditional Mexican holiday - the Day of the Dead. The multi-figure composition includes all layers of Mexican society: portraits of contemporaries, members of the Mexican elite, and the poor. The main character of the work is a figure in a mask resembling a skull (Katrina's mask).
